A Quote by Fabio Capello
It's all about the climate. I had a long discussion about it when I went to Scotland to see Andy Roxburgh. I worked with a Scottish youth side and had them do the same drills I would do in Italy. I realised that, between the wind, the rain and the cold, there was no way they could do it. How can you possibly teach anybody anything in those conditions? To me, it's pretty obvious and it explains why Brazilians are more technical than Europeans and, in Italy, the further south you go the more technical they are.
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I'm talking about technical goofs. I'm pretty much on top of it. The kind of picture you're referring to would have to be more about the effects of technical things, technical phenomena, and I'm just not interested in that kind of work at all.
...I will praise the English climate till I die—even if I die of the English climate. There is no weather so good as English weather. Nay, in a real sense there is no weather at all anywhere but in England. In France you have much sun and some rain; in Italy you have hot winds and cold winds; in Scotland and Ireland you have rain, either thick or thin; in America you have hells of heat and cold, and in the Tropics you have sunstrokes varied by thunderbolts. But all these you have on a broad and brutal scale, and you settle down into contentment or despair.
Here the football is more physically strong. The Spanish are more technical. In Italy more tactical. In England... you have to run. We don't fear the tackles, because the people like this.
In Spain, the game is more technical; in England, it's more physical, while in Italy, it's more tactical. Each country is a challenge, and I like to put myself to the test.
My wife is my first reader, my first line of defence I suppose. So she says, "Oh well, oh yes, it's all true." At the same time, I could have written much more about us, but I didn't want to go any further. I did cut things out. There are certain things that I wrote about her that are so gushing with praise and admiration that when I looked at those passages I realised they would be ridiculous to anybody else.
In Italy, especially in '70s and '80s, there was a lot of racism between north and south. And my mom immigrated from the south to the north, from Puglia, the heel of Italy. But what made me feel different was society, not my family.
I love Italy, and that's where I make my own shoes. But the French really do respect designers. Italy is totally different; footwear is an industry. The shoes are all about craft and luxury. French shoes are more about straight lines, and they are way more geometric.
When you see something that is technically sweet, you go ahead and do it and you argue about what to do about it only after you have had your technical success. That is the way it was with the atomic bomb.
Whenever I enter a position, I have a predetermined stop. That is the only way I can sleep. I know where I'm getting out before I get in. The position size on a trade is determined by the stop, and the stop is determined on a technical basis... I never think about [stop vulnerability], because the point about a technical barrier - and I've studied the technical aspects of the market for a long time - is that the market shouldn't go there if you are right.
I am proud to be Italian because I was born in Italy, I grew up in Italy, I went to school in Italy and I have worked in Italy. I'm Italian.
You could see how money is different all of a sudden in Italy when they had the lire and now they have the euro. So they, in a revolutionary way, have gone from bad money to good money comparatively. But what about the rest of the world?
I find that when one has worked long enough, technical know-how becomes almost irrelevant. In photography, it's not difficult to reach a technical level where you don't need to think about the technique any more. I think there is far too much literature and far too much emphasis upon the techniques of photography. The make of camera and type of film we happen to use has little bearing on the results.
There are three reasons why I live in Scotland. First, I like silence, and you have to be a millionaire to buy silence in Italy. Second, I like cold weather. Third, in Italy I have too many relatives and know too many people, so I never get a quiet time.
The thing about Parsons compared to the other schools is that it really teaches you how to be a designer, whereas some of the other schools teach you to sketch or teach you the technical skills. But the curriculum at Parsons when I was there was how do you put a collection together, as well as all the technical stuff. It's the best training.
I'd imagine if there were more Scottish people making Scottish movies about Scotland, it would not only be educational, but it would instill a sense of pride.
I have no time for those who say there is no way Scotland could go it alone. I know first-hand the contribution Scotland and Scots make to Britain's success - so for me there's no question about whether Scotland could be an independent nation.
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