A Quote by Fannie Hurst

It would be a fallacy to deduce that the slow writer necessarily comes up with superior work. There seems to be scant relationshipbetween prolificness and quality.
Perhaps the writer I've read the most of is Haruki Murakami, the Japanese writer, but I wouldn't necessarily say he's a favourite. I read him because I find his work so intriguing, but I don't necessarily feel I would follow this writer to the ends of the earth.
Just make up your mind at the very outset that your work is going to stand for quality... that you are going to stamp a superior quality upon everything that goes out of your hands, that whatever you do shall bear the hallmark of excellence.
Every Maryland family wants financial security, schools that work, quality healthcare, safer neighborhoods, and ever-expanding economic opportunity. These are the building blocks of a superior quality of life.
When you don't get a certain quality of work, you end up doing lesser quality of work because there's no work. I'm a professional actor, I have bills to pay so I end up taking work which ideally I wouldn't have.
It has always seemed to me a pity that the young people of our generation should grow up with such scant knowledge of Greek and Latin literature, its wealth and variety, its freshness and its imperishable quality.
There is no permanent place in this universe for evil... Evil may hide behind this fallacy and that, but it will be hunted from fallacy to fallacy until there is no more fallacy for it to hide behind.
The thing is - do we really need another writer who writes a book every eighteen months, whether the quality is wonderful or not? I mean, maybe. But I can name twenty off the top of my head who do it. Maybe what we need is a writer like me who goes very slow, as well.
Quality doesn't mean deep blacks and whatever tonal range. That's not quality, that's a kind of quality. The pictures of Robert Frank might strike someone as being sloppy-the tone range isn't right and things like that-but they're far superior to the pictures of Ansel Adams with regard to quality, because the quality of Ansel Adams, if I may say so, is essentially the quality of a postcard. But the quality of Robert Frank is a quality that has something to do with what he's doing, what his mind is. It's not balancing out the sky to the sand and so forth. It's got to do with intention.
If we possessed a thorough knowledge of all the parts of the seed of any animal (e.g. man), we could from that alone, be reasons entirely mathematical and certain, deduce the whole conformation and figure of each of its members, and, conversely if we knew several peculiarities of this conformation, we would from those deduce the nature of its seed.
Being rewarded for anything other than the quality of their work is the fastest way to screw-up a writer-and it isn't only new ones who suffer from that.
Quality is subjective. There are quality blockbusters; there are quality versions of every genre and it doesn't necessarily mean money.
It is not up to us to particularize, but rather to deduce that the concepts of human rights originated from the divine influence because, as far as we are concerned, we are compelled to recognize our slow individual evolution from fierce selfishness toward a universal love, from the iniquity toward true justice.
It's a critical fallacy of our times ... that a writer should 'grow,' 'change,' or 'develop.' This fallacy causes us to expect from children or radishes: 'grow,' or there's something wrong with you. But writers are not radishes. If you look at what most writers actually do, it resembles a theme with variations more than it does the popular notion of growth.
The Keynesian belief that 'demand' is always at the root of underemployment and slow growth is a fallacy.
New Japan is far superior to WWE when it comes to the quality of the roster and the quality of the matches.
I see the author as the person who has written; the writer, the one involved in the process of writing. And they're not necessarily friends. The writer is the one I want to reinforce; the author would just feed on the reviews - so I'm in favour of starving him.
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