A Quote by Fantastic Negrito

I had a dream, as young people have quite idealistic dreams and goals, of, 'I'm going to go to Los Angeles, and I'm going to become a star!' I did get this huge record deal, and I recorded this music under Xavier. That didn't really work out.
I had this dream that you get this record deal, and you're a star, and everybody loves you - but I was a youngster, and it didn't work out that way.
I had to get out of my record deal that I signed with my previous band and get a full solo record deal going so, with all of the paperwork that, that entails it did take a while.
There's nowhere else in the world that's quite like that, where they encourage going after your dreams, especially in Los Angeles. I think it's really cool.
Los Angeles has been great to me, and I have a home there, and I'm so lucky I get to do what I do for a living. But I did not go down to Los Angeles really even with the intention of staying.
One of the interesting things about Los Angeles is that it's still supplying the whole of the world with its dreams through movies and songs and TV - often of an all-American family at the same time as the real Los Angeles is peopled by souls from Vietnam, Guatemala, and Korea who look nothing like the images being beamed out. I think all that is going to have to change and illusion is going to have to catch up with reality in that regard.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
When I moved to Los Angeles, I figured I'm really going to make an attempt to become a real actor. And when I did that, I thought it was time for me to face my parents and tell them what I did.
I've become convinced that Los Angeles is going to become the next contemporary art capital - no other city has more contemporary gallery space than Los Angeles. We've come into our own, finally.
I thought, 'As if I'm going to win a TV show, let alone get a record deal.' I'm going to go on TV with all these beautiful pop star-looking people? I'll never win.
In 1983, I was working at an art gallery in Los Angeles and going to film school at Los Angeles City College. At that time, Jean-Michel Basquiat was a young painter and was visiting L.A. for his first show at the Larry Gagosian Gallery.
I don't want to be daft and say I had some spiritual awakening or something, but I really did come of age in Los Angeles, where we recorded the album. I had my own little house and my own little circle and I really got to feel how the city ticks.
And the next album I do is going to be different because I'm going to change. I already did that thing where I had a band - and I had a great time with a band - but it was almost like pandering to get a record label deal.
Honestly, in the beginning, it was really tough. Coming from Cincinnati, Ohio, I was just a girl who had a dream, which was to go to Los Angeles, have a career and to be able to support my family. To have a dream like that and, you know, you're not ready.
When I did 'Shaft', I was so happy to be working and to have been a star of a major motion picture, I had no idea or concept of where it was going to go, and it turned out to be this huge film. That was the icing on the cake.
I think I always knew I was going to somehow be on a stage. I was quite an extrovert, as a child. And I did a lot of music, when I was younger, so I thought I was going to go into music, but I fell into acting, in a really weird way.
Xavier McDaniel made me respect him. I thought I could do anything I wanted to. He grabbed me one time and almost choked me out. He said, 'You're going to do this. You're going to go get coffee. You're going to go get doughnuts.' It's a game of respect.
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