A Quote by Farrah Abraham

I just don't believe in joking about violence anymore. — © Farrah Abraham
I just don't believe in joking about violence anymore.
Joking about violence is not funny.
I believe every act of violence is also a message that needs to be understood. Violence should not be answered just by greater violence but by real understanding. We must ask: 'Where is the violence coming from? What is its meaning?
Violence doesn't seem to bother people anymore - they're inured to it. And I think it has a lot to do with the violence in movies and video games - it doesn't bother people as much. I'm not so sure it evokes a reaction anymore.
When you get to that level, it's not a matter of talent anymore - because all the players are so talented - it's about preparation, about playing smart and making good decisions. If I don't believe it, then they don't need me on the court. I've just got to believe that in my heart.
I'm so sick of seeing guns in movies, and all this violence; and if there was going to be violence in Pines, I wanted it to actually be narrative violence. I wasn't interested in fetishizing violence in any way of making it feel cool or slow-motion violence. I wanted it to be just violence that affected the story.
I believe the U.S. Supreme Court, as well as a very large swath of the American population, really wants to imagine that race and racial inequality is something we don't have to think about anymore, don't have to worry about anymore.
I joke that I'm in the market for a cabin in the woods, and, at some point, I won't be joking anymore.
I don't feel confident at all in my beliefs about God. That's definitely scary. But I don't believe anymore that God hates almost all of mankind. I don't think that, if you do everything else in your life right and you happen to be gay, you're automatically going to hell. I don't believe anymore that WBC has a monopoly on truth.
I never stopped joking around long enough to realize you weren't laughing anymore.
I'm very careful about how I portray violence in my films. I do believe that violence, especially violent video games, are not a good thing for young kids.
We are convinced that non-violence is more powerful than violence. We are convinced that non-violence supports you if you have a just and moral cause...If you use violence, you have to sell part of yourself for that violence. Then you are no longer a master of your own struggle.
I must remind you that starving a child is violence. Suppressing a culture is violence. Neglecting school children is violence. Punishing a mother and her family is violence. Discrimination against a working man is violence. Ghetto housing is violence. Ignoring medical need is violence. Contempt for poverty is violence.
I like to watch a bit of Disney, sprinkle some cocaine on some melon and just sit and eat it. I'm joking, I'm joking. There's no Disney.
Was he joking? Was he being sarcastic? Aggressive? Impertinent? Or just courteous? There was no telling from his impassive face. What a country, he thought despairingly. In Russia you always knew. If a man made a stern face he was threatening; if he was laughing uproariously, he was joking.
Carlos, are we in complete understanding with each other?” “Yeah,” I say. “As long as it’s not in your house and you don’t know about it, you’re okay with us messin’ around.” “I know you’re joking with me. You are joking with me, aren’t you?” “Maybe.
My approach to violence is that if it's pertinent, if that's the kind of movie you're making, then it has a purposeI think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process. I like to think it's not violence for the sake of violence and in this particular film, it's actually violence for the annihilation of violence.
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