A Quote by Fatboy Slim
I think English people were a lot better at breakdancing than they were at making records.
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Up until the rise of electronic music, if you were a musician in Portugal or Germany or Italy or Japan, and you didn't sing in English, you really were limited: You could be successful in the country where people understood your language. The world of electronic music is completely international. You have DJs from Finland making huge records for people in New Zealand, DJs in South Korea making huge records for people in France. By the fact that it doesn't cost anything to make, and that it transcends language, nation it accidentally accomplishes a lot of really remarkable things.
I was turning up at sets where inexperienced people were making these badly written films - but they were doing it; that was the point. They were getting their films out there. And they were paying me, so they obviously had access to money. I just thought, 'I can make something better than this.'
I have a feeling a lot of the records I grew up listening to and the records I still like, as hard as musicians worked making them, I feel like they were really enjoying what they were going through. They weren't just going through the process. You can tell that with certain things that you listen to.
I thought of a lot of people from the same era when I was making a lot of records that had continued making a lot of records. A lot of it didn't seem terribly inspired.
I didn't really think my music was good enough to be heard by anyone. I had some friends who were releasing records who were older than me, and within that group, I was always the younger, patronized friend who was making tunes as well, which everyone thought was cute.
I felt like, I need to do English music; I speak better English than I do Korean. I think the fans enjoy it as well, so let's start making music in English.
I'm quite convinced in my own mind that those who were arguing that [the need to intervene in Iraq] was a more immediate one than some believed - were I'm sure convinced that they were right on fact, I don't think they were making it up. So as to lying, I don't think it has been established that any lies were told.
When we were making vinyl records we had a lot of time limitations for each record so songs were left off for a number of reasons. Now, with CDs, much more music can be included.
Races didn't bother the Americans. They were something a lot better than any race. They were a People. They were the first self-constituted, self-declared, self-created People in the history of the world.
Until House came along I don't think the English made very good dance records, you know, there were very few really good English Rap records, whereas once House came along all of a sudden we started and now I think we probably lead the world, and have overtaken America in dance music.
A lot of people do records, and they get hit records, but we were blessed with a lot of monsters. 'Oh Carolina' was a very monstrous record in 1993; so was 'Boombastic,' 'Angel' and 'It Wasn't Me.'
Even though we were selling more records than a lot of pop acts, we were being treated like the redheaded stepchildren.
A lot of people felt I was getting work because I was Boy George. My response at the time was that there's a lot of DJs making records, they're not all making good records, but they have the right to do that.
I heard that a lot and I just sort of thought, the world was an even more interesting place than the people who were making the decisions were perhaps interpreting it to be.
I'm a touring artist - I love going out and playing live, and I was sick of making records didn't translate well live - that misrepresented who I was as an artist. I'm not saying those records weren't good. I think they're great. I think a lot of them have great songs. My challenge was making the songs that were specifically great for the type of personality I wanted to present which was my personality - I wanted to get that across on record - and have something that was fun and energetic live.
When it all started, record companies - and there were many of them, and this was a good thing - were run by people who loved records, people like Ahmet Ertegun, who ran Atlantic Records, who were record collectors. They got in it because they loved music.
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