A Quote by Erro

The collages I never wanted to sell. I thought it was a very private thing, so I kept the collages. Then, in the end, I had a big collage in the Pinault Collection in Venice and the director of the [Centre] Pompidou said, "Did you make big collages like this in the '60s?" I said yes, so he came to the studio and said, "Let's make an exhibition in the Pompidou."
I like to make collages - paper collages.
I know the fans are very personable with my mom and things like that. They make little collages and pictures. They make edits of me and my mom together.
For me, collages manage to - it satisfies all of my madness, like I'm able to make these obsessive things, but then I'm also able to make these very strong statements. I don't know what they mean to other people, but in my mind, they have a very strong particular resonance; there's sort of a power.
I stick the collages on the wall and, if I still like them after a month or two, I make a painting.
I have had fans make me the big picture collages of the photo books; I have had fans send me birthday cakes... sing to me on my voicemail. I have had fans flash me. I have had older fans give me their bras and underwear onstage.
I make collages. I join the shattered world creating a new harmony.
Big Fish was the first movie that we worked on together, and I had already written it. We had another director, but that director didn't do it. So, it was just a Hail Mary to Tim, and Tim said that he wanted to do it and I was like, "That's fantastic!" But, there wasn't a lot of collaboration because he knew what he wanted to do and just did it. There were very minor changes for Big Fish.
I asked each if [Yao Xingtong and Zhang Lanxin] was afraid of heights. Each said no, and although they had never had the action movie experience they were willing to be trained. Then I asked if they could swim, and each said yes, but she (gestures toward YX) is better. She said, I can also dive, in fact I once won a diving championship in an international competition. Then she said, "But big brother, I'm not very strong," and I said that's all right.
I had collages in my bedroom when I was a teenager.
We did it!" I said, feeling limp with relief. "It actually worked!" Dr. Turgenev rubbed his forehead. "I had very big doubts." "Big doubts?" I said weakly. The Russian scientist shrugged. "I am pessimist," he said.
You have to go with your instincts. I remember when I was about to make "Fistful of Dollars" a big article came out that said, "Italian Westerns are finished." I said, "Swell." Then, of course, the film came out, and it did something. I'm so glad for the dozens of times I haven't listened along the way.
You know," he said with unusual somberness, "I asked my father once why kenders were little, why we weren't big like humans and elves. I really wanted to be big," he said softly and for a moment he was quiet. "What did your father say?" asked Fizban gently. "He said kenders were small because we were meant to do small things. 'If you look at all the big things in the world closely,' he said, 'you'll see that they're really made up of small things all joined together.' That big dragon down there comes to nothing but tiny drops of blood, maybe. It's the small things that make the difference.
And being gay isn't so easy, either I've always said that if anyone ever thought I was straight they must need glasses - but when I finally came out and said, "Yes, I do sleep with men and I'm gay," yeah, I lost record sales. There's no question - big, big time.
There is quite an important director in Germany who I think in the early fifties over here, and then went back, and he said something that's absolutely true. And it's more important to repeat that today than it ever was. Not for you, but for us over there it is important. He said, 'In America they make movies like art, and sell it like commodities. We make make movies like commodities and sell them like art.'
I actually had some funny dialogue [ in Stardust Memories], a little piece, and we shot all day in this big ballroom. Gordon Willis was the director of photography, and at the end of the day, Gordon turned to Woody Allen and said, "We cannot accomplish all of this in this space. It's impossible." And we'd been rehearsing and trying to shoot this thing all day. So Woody said, "Okay, let's do something else." He looked at me and said, "Come back tomorrow, I'll put you in something else." And he did.
I was on the tube just before Christmas. and this girl turned round to me and said, 'Are you Kate Winslet?'. And I said, 'Well, yes. I am actually'. And she said, 'And you're getting the tube?' And I said, 'Yes'. And she said, 'Don't you have a big car that drives you around?' And I said, 'No'. And she was absolutely stunned that I wasn't being driven round in some flash car all the time. It was ludicrous.
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