A Quote by Felicity Kendal
I love a mask. It's why I've got a thing about good writing. When you're acting, you're going into someone else's work. You're behind his words; it's not you.
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I was always aware, reading Chesterton, that there was someone writing this who rejoiced in words, who deployed them on the page as an artist deploys his paints upon his palette. Behind every Chesterton sentence there was someone painting with words, and it seemed to me that at the end of any particularly good sentence or any perfectly-put paradox, you could hear the author, somewhere behind the scenes, giggling with delight.
I'm not scared anymore, I just ... I don't know. I think it's because I saw someone else, someone behind your face, like you'd taken off a mask. It was still you, but it wasn't. And I don't think that person is going to hurt me, or Marci, or anybody else, but ... I guess the thing is that I don't know anything about that person. At all. And that's what scares me more than anything - that there could be two people, so different, and one of them so secret.
The only thing that seemed to me I could do in such a way that no one else could was acting. I thought, I can be a doctor, but there's going to be someone else who is just as good or better. I can be a lawyer, which I still sometimes think I would love to be, but I think there's someone who can do it just as good or better.
I love wine, I love wine reps, I love everything about the drinking world. In fact, as a recovering alcoholic, I adore the drinking world. I can't participate in it any longer and the only thing I don't like are people who don't listen to the words that are coming out of someone else's mouth. Which is why I try very hard to listen to the words that are coming out of someone's mouth.
Why is love so good...? You love someone and they leave. They come home one day and you say "What's happening?" and they say, "I got a better offer someplace else," and there they go, out of your life forever, and after that until you're dead you're carrying around this huge hunk of love with no one to give it to. And if you do find someone to give it to, the same thing happens all over.
I love bouncing my words off of someone else's, and the fact that writing a story with someone else guarantees you'll get something you never, ever would have written on your own.
What is the good of words if they aren't important enough to quarrel over? Why do we choose one word more than another if there isn't any difference between them? If you called a woman a chimpanzee instead of an angel, wouldn't there be a quarrel about a word? If you're not going to argue about words, what are you going to argue about? Are you going to convey your meaning to me by moving your ears? The Church and the heresies always used to fight about words, because they are the only thing worth fighting about.
A building is no good if someone's got to explain to you why it's good. You can't say you don't know enough about architecture - that's ridiculous. It's got to work on many levels.
When you write comic books and when you are writing for television, you're not writing the end product, you are writing notes for someone else to make the end product essentially. My scripts are just directions for the artist to draw pages and the pages are what is seen. I kind of feel like it's a safety net, you're able to hide behind the art to a certain extent, and in television you're able to hide behind the actors and the production, but with novels, your words are it
I remember hearing someone say that good acting is more about taking off a mask than putting one on, and in movie acting, certainly that's true. With the camera so close, you can see right down into your soul, hopefully. So being able to do that in a way is terrifying, and in another way, truly liberating. And I like that about it.
Some people think it's psuedo-science, but it's called morphic resonance. It's when someone thinks of an idea, it makes it easier for someone else to think of the idea. That's why you should do crossword puzzles later in the day, because other people have thought about the answers. That's why you hear about people coming up with inventions almost at the same time, because someone else is thinking about it. That's why whenever I have a really good idea, I'm always worried about theft.
Oh yeah; I love when I'm writing something that makes me cry - that's so cool. If it got me to do that, it's going to get someone else to do that.
Acting and making music are quite complementary. Acting relies on someone else's writing and direction; writing music or lyrics doesn't. But they are both creative and personal in completely different ways.
I just always thought, I love acting and I love writing. And when I haven't got any more good breath and good energy, then I'll write.
Referring to the NFL Players' Association: I have one thing to say about the union: It's like Christopher Columbus. He didn't know where he was going. He didn't know where he was when he got there. He lost two-thirds of his ships along the way. And he did it with someone else's money.
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
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