A Quote by Felix Dennis
When you come across real talent, it is sometimes worth allowing them to create the structure in which they choose to labor. In nine cases out of ten, by inviting them to take responsibility and control for a new venture, you will motivate them to do great things.
Related Quotes
A true Educator locates the intelligence and abilities within another, drawing them out for all, even the student, to see. And then steps out of the way, allowing them to develop, create and pursue their talent.
An actor's responsibility is to play a character truthfully. That's their responsibility. That's where it ends. If they choose to use their reach and accessibility in order to further something that matters to them, that's their choice and that's great - but it's not for anybody to choose it for them.
Most of the time, when I'm writing, I'm writing for myself. I'm thinking, 'What will my character say at this time? What will come out of her mouth?' I create individuals so real to me, I sometimes start talking to them. Then I let them loose on the page.
Banking was conceived in iniquity and born in sin... Bankers own the Earth. Take it away from them but leave them the power to create money, and, with the flick of a pen, they will create enough money to buy it back again... Take this great power away from them and all the great fortunes like mine will disappear and they ought to disappear, for then this would be a better and happier world to live in... But, if you want to continue to be a slave of the bankers and pay the cost of your own slavery, then let the bankers continue to create money and control credit.
Bankers own the earth. Take it away from them, but leave them the power to create money and control credit, and with a flick of a pen they will create enough to buy it back.
I think it's important for these guys to know we love them and care about them and at the end of the day, that's going to motivate them to want to lead, play harder, and all the things we ask them to do. Which is a lot.
The curve and the fast one are important; the change of pace and the other trick deliveries are great but they're not worth a plugged nickel unless you have control to go along with them. And by control I don't mean the ability to put the ball over the plate somewhere between the shoulders and knees. I mean the ability to hit a three-inch target nine times out of ten, the sort of control that lets you put the ball in the exact spot you want it, and to play a corner to the split fraction of an inch.
It's hard to come across someone who can look past an artist who is larger and just see them for the talent they are and have them be willing to invest what's necessary to make them a star.
In all of my work I'm trying to create a dialogue, in which I want to provoke the recipients, stimulate them to use their own imaginations. I don't just say things recipients want to hear, flatter their egos or comfort them by agreeing with them. I have to provoke them, to take them as seriously as I take myself.
So there are two separate tracks. One track is for the Syrian government and the opposition that is interested in a peaceful future of Syria to come together for national unity, for the political process. At the same time, it is a requirement for everybody to stop supporting the extremist groups, to stop allowing them safe passage, to stop allowing them to receive weapons, to stop allowing them to receive financial assistance, and to come together in actually fighting them.
As far as the talent goes, when you see somebody who's really hungry and talented and has a bright future, you are willing to allow them to spread their wings and try things. And sometimes they are going to make mistakes, and you're going to have to reel them in and control them. And if it gets too bad, you have to really step in.
Motivate them, train them, care about them, and make winners out of them... they'll treat the customers right. And if customers are treated right, they'll come back.
It's going to be labor-intensive and time-consuming, but you need to take all the books down and put them on the floor. Take them down and spread them in one area. Physically pick each book up, one by one. If the book inspires you, keep it. If not, it goes out. That's the standard by which you decide.
There are things we never tell anyone. We want to but we can't. So we write them down. Or we paint them. Or we sing about them. It's our only option. To remember. To attempt to discover the truth. Sometimes we do it to stay alive. These things, they live inside of us. They are the secrets we stash in our pockets and the weapons we carry like guns across our backs. And in the end we have to decide for ourselves when these things are worth fighting for, and when it's time to throw in the towel.
Don’t become mesmerize by the pictures that have appeared if they are not what you want. Take responsibility for them, make light of them if you can, and let them go. Then think new thoughts of what you want, feel them, and be grateful that it is done.
Whatever will happen will happen, but choose your companions with care. Choose them because you like to look at them and you like the sound of their voices, and they have profound secrets in them that you wish to know. In other words, choose them because you love them. Otherwise you will not be able to bear their company for very long.
Related Authors
Al Goldstein Quotes
American
Publisher
Arthur Hays Sulzberger Quotes
American
Publisher
Hugh Hefner Quotes
American
Publisher
James Thomas Fields Quotes
American
Publisher
Jann Wenner Quotes
American
Publisher
Jeffrey Tucker Quotes
American
Publisher
Jonathan Galassi Quotes
American
Publisher
Joseph Pulitzer Quotes
American
Publisher
Katharine Weymouth Quotes
American
Publisher
Larry Flynt Quotes
American
Publisher
Malcolm Forbes Quotes
American
Publisher
Marcus Garvey Quotes
Jamaican
Publisher
Mortimer Zuckerman Quotes
Canadian
Publisher
Porter Stansberry Quotes
American
Publisher
Rupert Murdoch Quotes
American
Publisher
William Randolph Hearst Quotes
American
Publisher