A Quote by Ferdinand Mount

It's true that I'm taking a break from writing a regular column to do other things but it's got nothing to do with what dear Simon has or has not written. — © Ferdinand Mount
It's true that I'm taking a break from writing a regular column to do other things but it's got nothing to do with what dear Simon has or has not written.
When I started work at Simon & Schuster in 1958, each of us got a bronze paperweight on which was written, in raised type, 'Give the reader a break,' Richard E. Simon.
I had written a lot about my dog dying before. I wrote a newspaper column about it and it turned out to be the most popular column I'd ever written. That and the lame Joni Mitchell column I did. But the dog column, my god! People love dogs. Anybody who writes regularly should know, when in doubt: dogs! If you're a columnist, when in doubt, write a column about the culture of narcissism - like a scolding column about the culture of narcissism - or write something about dogs. That's the homerun in my take.
Writing 'Animal Talk' column in MetroPlus gave me immense satisfaction. I quite enjoyed writing the column.
I'm lyric conscious. I like to tell stories, give advice. Instead of writing a 'Dear Abby' column, I do it on records.
I also enjoy writing my regular column for Organic Gardening magazine, so I may do more of that sort of thing in the future, if anybody wants it!
If all you've got to do is a couple of lines, dear Jesus, don't let them down. Other people are taking responsibility.
I never went to school for writing, never took a writing class, but when you're in a room with David Simon and Ed Burns and Dennis Lehane and Richard Price, and they're going over something you've written, you learn what works and what doesn't.
'Pain' is more indicative of what I like to do. I'm lyric-conscious. I like to tell stories, give advice. Instead of writing a 'Dear Abby' column, I do it on records.
I had a column for the 'Seattle Weekly' for five years, and there was one column that was called 'How To Be A Man,' and it was kind of tongue in cheek; it was really tongue in cheek. And I got a book deal from that column.
Writing a column, a weekly column for the New York Times, is really tough, and I wasn't prepared for the demands that that involved.
The main rule of writing is that if you do it with enough assurance and confidence, you’re allowed to do whatever you like. (That may be a rule for life as well as for writing. But it’s definitely true for writing.) So write your story as it needs to be written. Write it honestly, and tell it as best you can. I’m not sure that there are any other rules. Not ones that matter.
I like songs to mean something as well as sound good, and Paul Simon is a maestro. While Art Garfunkel was a voice and moved on to other things Simon remained the genius lyricist and composer.
I don't notice any sympathy for them in [ Nicholas Kristof] column. If you're writing a column saying the people for Trump are Nazis and Klansman and North Korean dictators.
Mr. Fulbright hasn't said anything new or interesting or clever in five years; his intellectual well dried up the day after Walter Lippmann stopped writing his regular column.
For the critic, criticism is a form of natural self-expression, as poetry is to the poet. So, for a critic, criticism is a true thing. Criticism isn’t written for poets, it’s written for other readers. One hopes it is true for other readers if it’s true for oneself.
To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not--this is the beginning of writing.
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