A Quote by Butch Trucks
A lot of these guys come up and say, 'Man, you were my influence, the way you thrashed the drums.' They don't seem to understand I was thrashing in order to hear what I was playing. It was anger, not enjoyment - and painful.
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The drums were new to me; I was just playing what was in my head. I was a guitar player originally - so on the drums, I just played what was in my head rather than caring too much about what others were playing. And in that way, I came up with a simple but unique style.
God is the one goal of all our passions and emotions. If you want to be angry, be angry with Him. Chide your Beloved, chide your Friend. Whom else can you safely chide? Mortal man will not patiently put up with your anger; there will be a reaction. If you are angry with me I am sure quickly to react, because I cannot patiently put up with your anger. Say unto the Beloved, "Why do You not come to me; why do You leave me thus alone?" Where is there any enjoyment but in Him? What enjoyment can there be in little clods of earth?
We all say we enjoy playing rugby, but most guys don't really show it - and some guys I don't think actually enjoy it. So every time I arrive in the morning, I've always got a smile on my face. Once I lose that enjoyment, I will stop playing.
Pete Townsend for me was a huge influence. Because essentially they were a three-piece band and the way he structured his chords and took up a lot of space musically in the songs was really important to the way Rush developed. Geddy and Neil both were such active players and lot of the time we were all playing like crazy and it was too much and somebody had to reel it in and me being the faceless guy, I would do that.
I love playing the drums - I really get a lot out of it - but I don't think I'm a good enough drummer to be playing live drums on all 10 tracks on my album.
You look back at the '95 season, and a lot of those guys were getting mega minutes. Michael Jordan was out playing baseball. We were still winning, won 55 games I think, so those guys were all very content and happy with the way that things were going that year.
People make their life really hard. It was as simple as this: My parents went to church. My grandfather was a bishop. My mom sang in the choir, my dad played the keyboard, and my uncle played the drums. I was into playing the drums, so I played the drums a lot for my uncle, and it got to the point where I was pretty nice at playing the drums. And he let me play every Sunday so, to me, going to church was fun.
Nobody cares about that. I do have guys every now and then who say - it's always guys by the way, it's never women - who say, "You were my childhood crush, can we date?" And I'm like, "There's something kind of creepy about that. Do you hear yourself?"
There is something to be said though when you have 4 or 5 guys playing with no net, there is a sense of urgency, It is organic with a lot of anticipation and you can hear it, the way it is played. My favorite bands that I love from way back have a lot of things going on and it makes it real, it is not tangible but it is the spirit of the moment.
When I was young, a lot of the guys could sell themselves to me on the way to the ring with the way they acted and their mannerisms. Guys like Shawn Michaels, who I loved growing up. They were just loud. They didn't even need to say a word because they came out and had this crazy ring gear on.
... then there was war in heaven. But it was not angels. It was that small golden zeppelin, like a long oval world, high up. It seemed as if the cosmic order were gone, as if there had come a new order, a new heavens above us: and as if the world in anger were trying to revoke it.
There's a lot of guys who have great technique, people practicing a lot and you hear them, but there's not that many people who when you hear them, you go, "Man, that guy must practice a lot," right? Then you hear Miles Davis play, and you go, "Man, I had a girlfriend like that." That's a whole another level of musicianship.
It seemed so wimpy at first when I started to play [guitar]. So I started playing loud with lots of effects just to try to mimic the dynamic [of the drums]. Drums seemed a lot more expressive. [I was] Trying to emulate the feeling of playing the drums on the guitar - I guess that's why I played it so loud.
When people say, 'You seem so grounded; you seem so normal,' I think it's the way I was raised and the way my sister and I were brought up by our parents.
From the very beginning, I had a lot of female role models in music. I would go to shows, and there were always women fronting bands and playing guitar or backing up and playing drums or bass in a band. That probably contributed to my belief in myself to go out and perform for people.
I know what baldness can do to a man. When you see guys with a toupee that should come with a chinstrap, or somebody whose been through hair replacement surgery and tapped out early because it's too painful, you realize guys will do anything to maintain their sense of virility. They don't want to give up looking young.
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