A Quote by Fran Drescher

I have very eclectic taste in music, but when it comes to going to concerts, I like going to rock concerts. — © Fran Drescher
I have very eclectic taste in music, but when it comes to going to concerts, I like going to rock concerts.
When we did concerts, we wanted them to be theatrical events - collaborations with designers, choreographers, and directors - because we thought traditional rock concerts were boring.
Pop concerts create an audience for Pops concerts, not an audience for classical symphonic concerts.
I would do nightclubs and concerts - particularly concerts, which is mostly what I did - and only people who already agreed with me would show up. People weren't going to come and inadvertently turn on their television set and find this offensive stuff coming out.
Anyone who buys a ticket can just go in there, and I don't like everyone, so I always see concerts as like, I'm going to get punched, I'm going to get elbowed, I'm going to get stepped on, get spilled on, someone's going to hit me with their body odor or something.
There's definitely a melancholic ingredient in our concerts in the United States versus in other places. Many times people feel far away from their place of origin, from their traditions, from their people. And in a way, Café Tacvba's music brings them memories. It seems to connect them with all that they miss, because the concerts are very emotive and have lots of energy. We're very fortunate to have our music connect in that way.
The biggest problem with American music right now, is that kids don't listen. They come by it honestly, Americans don't listen anyway. When people go to concerts, they say I'm going to see... not, I'm going to hear.
I go to metal concerts as well as classical concerts, and I love both of them.
I love going to rock concerts, I love to lose myself in that vast wave of rhythm and body heat and get on the same vibe.
As a professional cellist, I go to mostly classical concerts because that's the music I play, but I am also always trying to find out who the voices of our time are. I attend a spectrum of concerts that are close to classical - anything from Wynton Marsalis to Renee Fleming.
As a spectator, I have very eclectic taste, whether it's comedies or action or very small, intimate films. And I feel as a filmmaker I should be able to have that same eclectic taste.
I always tell my audiences not to listen to such artists who play audio CDs at their concerts. Such shows shouldn't be called live shows. People like AR Rahman, Sunidhi Chauhan, and Arijit Singh are the ones who hold true concerts.
When I do things, like, with Josh Grobin, or he has so many fans, and I get people after my concerts, classical concerts, all the time coming back and saying, 'Never heard of you until I heard the song with Josh Grobin.' Then they're now classical music fans, which is something I think we need to reach a wider audience.
A long term goal is to encourage students to start doing concerts in which I or the other artists will come back at the end of the school year to see their concerts.
Compared to what they were, rock concerts now are like business meetings.
I know there's millions of problems in the world, but if you dwell on those, then you're going to be miserable. I think my meditation helps me to transcend and get beyond the grip of all the negativity and regenerate from within a more positive attitude, which comes in very handy when you're going to do 150 concerts a year.
Punk-rock gave music back to people. For a long time, when I was very young, I went to go see arena rock bands. I was 16 and it was all I could get in to see, legally. And I saw Led Zeppelin and Ted Nugent and Van Halen and all that. Me and [Minor Threat and Fugazi vocalist] Ian MacKaye would go to these concerts, and it was fun.
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