A Quote by Frances McDormand
A movie set actually can be a good place to have a family atmosphere.
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If you make a good family movie, then everybody in the family can relate to somebody, or in this case something. That's always enjoyable. There's always an important place for family movies.
I watched all the games in the pub with my family. We used to go to a place called The Sirloin in Chingford. It was quite a good atmosphere in there.
I was really nervous, because I was certain it was going to be bigger than anything I'd ever done before. But I was relieved when I actually discovered that there was a family atmosphere on the set, with a brother-sister team, Barbara Broccoli and Michael Wilson running it all.
I’ve always lived out of a suitcase. I was in a new city every three months. When I was a model, I traveled the world, and as an actor you’re traveling from movie set to movie set. So I’ve never been in one place long enough for anything super-bad to happen.
I've always lived out of a suitcase. I was in a new city every three months. When I was a model, I traveled the world, and as an actor you're traveling from movie set to movie set. So I've never been in one place long enough for anything super-bad to happen.
That's just my family's mentality. We are a very loving, hugging and kissing kind of family. And we grew up in a church atmosphere and still have that atmosphere. There is no negativity.
A movie set or any set is a completely private place and it feels very insulated.
Out of all the neighborhoods in Manhattan, Soho in particular had the charged atmosphere of a movie set, populated with passersby who looked like extras from Central Casting, so perfectly did they fit into this environment. There was the feeling of everything being not quite real, or too perfectly cliched to actually be true, and it began to rain in a fine, misty drizzle from a black patent leather sky.
There's never been a mathematical equation that says a good experience making a movie equates to a good movie, or a bad experience on a set is going to lead to a bad movie.
If your family was part of the movie business, then watching 'Moguls & Movie Stars' is like looking at the family photo album: hilarious to members of the family, numbingly boring to those outside the family circle.
A scary movie puts a lot of people, a mob, in one place. There are advantages to that because the panic runs through the audience. If it's a good movie, the fear jumps from one person to the next. You can find yourself screaming just because everybody around you is screaming. There's a real atmosphere of terror. It's also visual, which means that you can't look away from this thing - it's happening. You're in the dark. It's like a nightmare. It's like a dream. It's very, very visual. It works on all those levels.
We have carbon in the atmosphere. That is a material in the wrong place problem. It's just like what I said about the lead. Lead in the biosphere is not good. Carbon in the atmosphere (over natural levels) is a problem.
I think the danger in trying to set too many things up or do too much world-building in a movie so soon is you forget to actually make a movie.
One thing that is very different technically is that you don't get a lot of coverage in television. Not like you do on a film. I know we don't have time for separate set-ups, so I will design a scene where I'm hiding multiple cameras within that set-up. That way, if I don't have time to do five set-ups, I can do four cameras in one set-up. It's a different kind of approach for that. For the most part, a lot of television, in a visual sense, lacks time for the atmosphere and putting you in a place.
I just feel my body clock is different when it comes to making films than other directors. Being on set, and sweating, that feeling eases me more than actually when the movie's over; being on set, moving around, to me feels more relaxing than being done with the movie.
We played around and improvised a ton [in The Hangover], and I think it's hard to say at this point what's what. Gosh, I wouldn't even know how to take a stab at it. The script was so good that we really didn't need to improvise very much, but I think we just found a lot of moments on the set. It's really cool when you get onto the set of a movie and you start shooting the scenes and you start to actually incorporate the environment.
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