A Quote by Francesca Lia Block

You turned your head to look at me. Your eyes looked so big in your face, so mysterious — wide and flickering like a butterfly-wing mask. When you saw me the wails turned to sobs, and then just quieter heaves of your body. I held out my finger through the bars. Then you reached out and curled your fingers around mine, so tight. I knew you recognized me. That was the first time I knew I had a heart inside my body.
When my friend Melot set the trap, I think I knew it. I turned to death full face, as I had turned to love with my whole body. I would let death enter me as you had entered me. You had crept along my blood vessels through the wound, and the blood that circulates returns to the heart. You circulated me, you made me blush like a girl in the hoop of your hands. You were in my arteries and my lymph, you were the colour just under my skin, and if I cut myself, it was you I bled. Red Isolde, alive on my fingers, and always the force of blood pushing you back to my heart.
Then your fingers moved down to my chin. You pushed it up with your thumb to look at me, almost like you were studying me in the artificial lights above my head. And, I mean, you really looked at me … with eyes like two stars. [...] And I had wings fluttering away inside me all right. Big fat moth wings. You trapped me easily, drew me toward you like I was already in the net.
Even if I turned myself in, it wouldn't change anything. It wouldn't make me one of them. I knew that when I got my powers, but really I knew it before then. I learned it as a child on my first day of school, on the warm rainy streets of Bangkok, and in college. If you're different you always know it, and you can't fix it even if you want to. What do you do when you find out your heart is the wrong kind? You take what you're given, and be the hero you can be. Hero to your own cold, inverted heart.
You looked at me then like you knew me, and I thought it really was Eden, and I couldn't take your eyes in because I was loving the hoof marks on your cheeks.
The reason you keep on coming back to see me is very simple; every time you have seen me your body has learned certain things, even against your desire. And finally your body now needs to come back to me to learn more. Let's say that your body knows that it is going to die, even though you never think about it. So I've been telling your body that I too am going to die and before I do I would like to show our body certain things, things which you cannot give to your body yourself... So let's say then that your body returns to me because I am its friend
You moved my head so that it was lying in your lap. "Keep your eyes open," you said. "Stay with me." I tried. It felt like I was using every muscle in my face. But I did it. I saw you from upside down, your lips above my eyes and your eyes above my lips. "Talk to me," you said. My throat felt like it was closing up, as if my skin had swollen, making my throat a lump of solid flesh. I gripped your hand. "Keep watching me, then," you said. "Keep listening.
But I liked you from the moment I first heard your voice,” he said, “when I had no idea what you looked like. I thought it delicious, the way you bargained for me, as though I were an old rug. Then I loved the way you looked at me. Then I loved the way you ordered me about. I loved your patient and impatient ways of explaining things to me. I love the sound of your voice and the way you move. I love your courage and your kindness and your generosity and your obstinacy and your passion.” He paused. “You’re the genius. What do you think that means?
And what are you doing here, Nicholas? Decided to watch me sleep?" "Yes," said Nick, and bowed is head over his sword again. He had tissues, oil, and sandpaper laid out on the windowsill in front of him, and a little stone block he was passing his sword up and down, very carefully. "I came to gaze upon your sleeping face. Only you had the blanket over your head, so I just had to gaze at a lump I thought was your sleeping face, and that turned out to be your shoulder. Which just wasn't as special." ~Nick and Mae
Ballet is completely unnatural to the body, just being turned out... it's not the way your body is supposed to function, so you actually [...] train your body to be a different structure than you were born with.
Ballet is completely unnatural to the body, just being turned-out... it's not the way your body is supposed to function, so you actually train your body to be a different structure than you were born with.
Prayer is like practicing the piano or ballet or writing: you have to bring your body for a very long time, in spite of your body’s frailties and conflicts and general revolt, and then one day your body is not separate any more. You’ve in a sense become the piano or the dance or the word or the prayer. The prayer is in your heart. The prayer is your heart.
Who taught you to write in blood on my back? Who taught you to use your hands as branding irons? You have scored your name into my shoulders, referenced me with your mark. The pads of your fingers have become printing blocks, you tap a message on to my skin, tap meaning into my body. Your morse code interferes with my heart beat. I had a steady heart before I met you, I relied upon it, it had seen active service and grown strong. Now you alter its pace with your own rhythm, you play upon me, drumming me taut.
Just imagine living in a world without mirrors. You'd dream about your face and imagine it as an outer reflection of what is inside you. And then, when you reached forty, someone put a mirror before you for the first time in your life. Imagine your fright! You'd see the face of a stranger. And you'd know quite clearly what you are unable to grasp: your face is not you.
Look with your heart and not with your eyes. The heart understands. The heart never lies. Believe what it feels, and trust what it shows. Look with your heart; the heart always knows. Love is not always beautiful, not at the start. But open your arms, and close your eyes tight. Look with your heart and when it finds love, your heart will be right.
My god! people say. You have so much self-control! And later: My god. You're so, so sick. When people say this, they turn their heads, you've won your little game. You have proven your thesis that no-body-loves-me-every-body-hates-me, guess-I'll-just-eat-worms. You get to sink back into your hospital bed, shrieking with righteous indignation. See? you get to say. I knew you'd give up on me. I knew you'd leave.
You expect me to believe that you're being held against your will?" I raised a skeptical eyebrow. "You're roaming around the castle freely." "As are you." He turned away from me then. "Not all prisons have bars. You should know that better than anyone, Princess.
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