A Quote by Frank Caliendo

Guy on the plane I'm on has a text alert that sounds like a gunshot... And he isn't putting it on vibrate. — © Frank Caliendo
Guy on the plane I'm on has a text alert that sounds like a gunshot... And he isn't putting it on vibrate.
I don't know, but I always loved that image of a girl putting toenail polish on a guy - her boyfriend, or something like that. Or a guy waking up in the morning and reaching over and putting on his girlfriend's shirt. Like Keith Richards putting on one of Anita Pallenberg's blouses, or Courtney Love putting nail polish on Kurt Cobain.
Okay, I'm going to let you in on a little secret: I'm a very superstitious person. I'm walking onto the plane as we speak. I'm putting my hands on the outside of the plane and my feet are on the lip of the plane. I have to do it every time before I fly.
I overanalyze things way too much, to the point where it affects my life. Like, when I'm talking to a boy, I'll overanalyze a text message he sent. And I have to think to myself, 'Just chill out. Some guy sent me a text message. That's all. Don't read something into it that's not there. Just be glad he sent you a text message!'
'Paper Planes' was an accident. It wasn't a song we made for the masses. It took two years to get popular, and there were many fights about censoring the gunshot sounds.
With Orff it is text, text, text - the music always subordinate. Not so with me. In 'Magnificat,' the text is important, but in some places I'm writing just music and not caring about text. Sometimes I'm using extremely complicated polyphony where the text is completely buried. So no, I am not another Orff, and I'm not primitive.
I guess I could say I'm an actor, which I am, but that sounds like I'm putting down being a movie star, which, let's face it, is what I've become to many people. For myself, I'm a guy who was very insecure from about age 14 until the day I hit my 30th birthday.
I think people who vibrate at the same frequency, vibrate toward each other. They call it - in science - sympathetic vibrations.
You have nothing if you're texting a guy in a relationship. We can text six women a minute. We can text it and push 'reply all.' I mean, since we're lying, we might as well lie to everybody.
When you have a heartfelt belly laugh, all parts of your being - the physiological, the pyschological, the spiritual - they all vibrate in one single tune. They all vibrate in harmony!
The guy who made the shoes for 'Hairspray' said putting shoes on me was like putting a pump on a ham. I found out that if I ever was to dress like a woman, I would not be buying off the rack.
By repeating sounds over and over again, I lose sense of time, space, and ego, and I get to just vibrate.
Because the great thing about fairy tales and folk tales is that there is no authentic text. It's not like the text of Paradise Lost or James Joyce's Ulysses, and you have to adhere to that exact text.
Whether you're Godard or Almodovar or Scorsese, it's text, text, text. Everything begins with the text, and this is a source of great anguish to me. So please let cinema get on with doing what it does best, which is expressing ideas in visual terms.
The text for me is the musical score. I'm the instrument. My voice is the instrument. My voice is articulating the sounds which are coming through the imaginings and visitations in my head, and I'm making these sounds but I've selected them from an ocean of sound.
I'm pretty much fully digital. I've basically spent a few painstaking days putting sounds into my laptop, just banking them, because I love playing, and I love visually seeing it on my screen and being able to change the sounds more, with different plug-ins. I've created my own synth sounds.
I like making sounds and putting it together, I'm not just a singer or a producer.
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