A Quote by Frank Caliendo

If it's just the voice, then you can only do jokes. It's not really even about the impression so much. It's about the take and what you do with the person. I try to get a character across with the impression.
I usually experiment with posture and physical attributes that may inform the character. Next, my impression gets a nice injection of inspiration when the costumes arrive and I can see his silhouette in the mirror. Then I go memorize all the lines and try and connect each line to a thought I think he might have. Then I show up on the day, wait my turn, and when the director calls "action," I trust that I have done enough work on my impression that I can just believe it strongly enough to play with abandon from inside that character.
People get the wrong impression about me. They think I'm elitist or I'm conceited or whatever. But I'm a really good person. I take care of my friends and my family. I'm kindhearted. I'm a better person than a lot of people I'm surrounded by. I'll get chewed up for saying that, but it's true.
My theory about meeting people,' he said,'is that it's better not to make a really good first impression. Because it's all downhill from there. You're always having to live up to that first impression, which was just an illusion.
The process of finding my voice as SpongeBob was to start by watching what Tom Kenny did, trying to do an impression of sorts, and then forgetting all about it and letting the voice become a second-nature thing.
Once they're on paper, they're gone. I like to do as much with the words, as far as image goes, so that it's really left open for a lot of things, even though I remember a specific impression of something I had at the time. I can't say a song is about this or that; in fact, I wouldn't even want to. I just prefer to have people live it anyway they want. Because it's theirs after that. There's nothing I can do about it anymore
Only the really plain people know about love - the very fascinating ones try so hard to create an impression that they soon exhaust their talents.
The biggest thing when you're playing live is that you're sitting across from the player and can get a detailed impression of how they're acting, and whether they're expressing strength or weakness. Online, it's much more about betting patterns and you're using a much narrower range of cues to what they're holding and thinking.
I've seen promotions rush things to market and not be strategic about it. The first impression is the lasting impression.
I got good at trying to throw a voice on a character from the very beginning as opposed to like reading it and sitting with it and mulling over it and stuff like that just try to read what it is and then try to put a funny voice to it like as soon as possible and stuff like that. Once you get laughs with your voice then you can start thinking about, you know the physical characteristics and how they might walk or if they stick out their buck teeth or if they wear an afro and stuff like that. I think like finding the voice of the character helps to like build the wardrobe and everything else.
Graham Wallas has reminded us that writing as compared with speaking involves an impression at the second remove and reading an impression at the third remove. The voice of a second-rate person is more impressive than the published opinion of superior ability.
When I read to children, I try to become the characters. It's great if you can make a separate voice for each character. Sometimes you can lower your voice with excitement or get more intimate about it: you can lean forward and engage the children as a narrator or as a reader. It's particularly important that you find the voice that you want to use for each character, because then children can imagine that person as you're reading aloud. And of course, the illustrations help enormously.
The first impression that I liked doing was an impression of Cheri Oteri's Barbara Walters impression on 'SNL.' I found that I could mimic that pretty well, and people got a kick out of that.
You only get one chance to make the first impression. And I made the biggest first impression ever by throwing the Big Show over the top rope.
And it was back in the mid-1980s, and as I point out in a piece, that was when we are spending about eight percent of our gross domestic product on health care. And even then, we had the impression that so much of the excessive, aggressive medical treatment that took place at the end of life was not only unnecessary but it was cruel.
A good impression is great. But a bad impression is even better.
Sometimes I'll read an audition and I'll get a very strong first impression about who the person is, and I usually go with it.
This site uses cookies to ensure you get the best experience. More info...
Got it!