A Quote by Frank Lloyd Wright

The screech and mechanical uproar of the big city turns the citified head, fills citified ears - as the song of birds, wind in the trees, animal cries, or as the voices and songs of his loved ones once filled his heart. He is sidewalk-happy.
In the past, heartland whites with some kind of dream or desire left their towns for cities to become citified. They wanted to get away from religion, from their families, they wanted to come out, make art, have sex, have experiences. But this new crew was something we had never seen before. They were the first generation of suburban Americans. They came, not to be citified, but rather to change cities into places they could recognize and dominate.
At least, not in this country,' she added after a moment's thought. 'In China it's a little different. Once I saw a Chinaman in Shanghai. His ears were so big he could use them for a raincoat. When it rained, he just crept in under his ears and was warm and snug as could be. Not that the ears had such a rattling good time of it, you understand. If it was specially bad weather, he'd invite friends and acquaintances to pitch camp under his ears too. There they sat, singing their sorrowful songs while it poured down outside.
If the bees which seek the liquid oozing from the head of a lust-intoxicated elephant are driven away by the flapping of his ears, then the elephant has lost only the ornament of his head. The bees are quite happy in the lotus filled lake.
I became simply a pair of eyes, staring through my mask at Char. I needed no ears because I was too far off to hear his voice, no words because I was too distant for speech, and no thoughts - those I saved for later. He bent his head. I loved the hairs on the nape of his neck. He moved his lips. I admired their changing shape. He clasped his hand. I blessed his fingers. Once, the power of my gaze drew his eyes.
Every time I get happy the Nana-hex comes through. Birds turn into plumber's tools, a sonnet turns into a dirty joke, a wind turns into a tracheotomy, a boat turns into a corpse.
I play citified Count Basie piano. As few notes as possible, my left hand in my pocket, that kind of stuff.
What do you think an artist is? An imbecile who has only his eyes if he's a painter, or ears if he's a musician, or a lyre at every level of his heart if he's a poet, or even, if he's a boxer, just his muscles? On the contrary, he's at the same time a political being, constantly alive to heart-rending, burning, or happy events in the world.
Be quick to do good. If you are slow, The mind, delighting in mischief, Will catch you. Turn away from mischief. Again and again, turn away. Before sorrow befalls you. Set your heart on doing good. Do it over and over again, And you will be filled with joy. A fool is happy Until his mischief turns against him. And a good man may suffer Until his goodness flowers. Do not make light of your failings, Saying, 'What are they to me?' A jug fills drop by drop.
The autumn wind is a pirate. Blustering in from sea with a rollicking song he sweeps along swaggering boisterously. His face is weather beaten, he wears a hooded sash with a silver hat about his head... The autumn wind is a Raider, pillaging just for fun.
I love the sound of the wind in the trees and the song of the birds and the shuffle in the leaves of my many woodland friends.
I can't really believe that it's over. "I'll speak for her." Every face turns to where Sean Kendrick stands a little apart from the crowd, his arms crossed. "This island runs on courage, not blood," he says. His face is turned towards me, but his eyes are on Eaton and his groups. In the hush after he speaks, I can hear my heart thudding in my ears.
Once, he'd used it in song, but the songs in his heart had gone silent long ago, and he knew that one day so would his voice. A man with nothing inside him eventually had nothing to say.
There are voices crying what must be done, a hundred, a thousand voices. But what do they help if one seeks for counsel, for one cries this, and one cries that, and another cries something that is neither this nor that.
I loved you!โ€ he yelled. He jumped up out of his chair so quickly I never saw it coming. โ€œI loved you, and you destroyed me. You took my heart and ripped it up. You might as well have staked me!โ€ The change in his features also caught me by surprise. His voice filled the room. So much grief, so much anger. So unlike the usual Adrian. He strode toward me, hand clasped over his chest. โ€œI. Loved. You. And you used me the whole time.
It's a warm wind, the west wind, full of birds' cries; I never hear the west wind but tears are in my eyes. For it comes from the west lands, the old brown hills, And April's in the West wind, and daffodils.
The perfume of the flowers and of the bay tree are wafted on high, like incense. The birds sing sweet songs of praise to their Creator. In the tops of the trees, the soughing of the wind is like the hushed prayers of the multitude in some vast cathedral. Here the heart of man becomes impressionable.
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