A Quote by Frank Miller

You don't... get it, boy... This isn't a mudhole... it's an operating table. And I'm the surgeon. — © Frank Miller
You don't... get it, boy... This isn't a mudhole... it's an operating table. And I'm the surgeon.
You look at a surgeon as you would a secular priest, almost, if it's your child, if it's your sister on the operating table. That was an idea that very much has interested me and I've wanted to explore for some time.
My dad was a surgeon in Egypt. He was a general surgeon. As a little boy I always admired what he was doing, and I wanted to do surgery.
When I'm on the operating table, I'm happy for the surgeon to treat me as a machine, but the moment I return to consciousness I have other needs and aspirations that should be recognized. We're not here only to survive or extend our individual or species life but to do something seemingly more difficult, for which I've used words and phrases like 'love' and the 'Kingdom of God'.
A surgeon might want to be the best surgeon in Manhattan, but out on Long Island on the weekend, not care at all how he is on the tennis courts or on the Ping-Pong table. Even turning your competitiveness off when it's appropriate, when other people are not being competitive, to recognize that social circumstance and, you know, cool it. That's a crucial competitive skill.
I did get to shadow some amazing brain surgeons, a female brain surgeon in Toronto, another surgeon in London. And then we had a surgeon onset [of Doctor Strange] every day. So and he taught me to do sutures and was practicing on turkey breasts, raw turkey breasts.
I temporarily became a surgeon for 'Memory of Love'. I spent two weeks in an operating theatre, watching amputations, and I loved it.
When you hear 'From the Other Side,' it's like being on an operating table. Suddenly, you're on the ceiling looking down at the doctors who are fighting for you. Are you gonna get a second chance or not?
A few years ago he had a big heart transplant in Chicago, a five-hour operation. It took the doctors four hours to get him on the operating table.
I always feel like a doctor who loses a patient on the operating table or something where I felt just devastated and I beat myself up until I get to try it the next night and “I'll get it better tonight.” So I'm hard on myself. I think I'm not alone in that regard with acting.
Don't look forward to me putting on the trunks and knee braces to get back in the ring and stomp a mudhole in somebody and walking it dry.
As beautiful as the chance encounter of a sewing machine and an umbrella on an operating table.
I built the film [Boy and the World] this way. I gathered all the tools I usually use such as brushes, color pencils, crayons, watercolors, and everything else I found in my studio, and I put them on top of a table. I had this feeling of freedom and possibility like if I was this boy. I was using the boy's freedom to create this film.
I always wanted to be a surgeon, because I had a lot of admiration for my father, who is also a surgeon. I also wanted to be a heart surgeon. That was motivated by the fact that my young aunt, a sister of my dad, died in her early 20s of a correctable heart disease.
The sick in soul insist that it is humanity that is sick, and they are the surgeons to operate on it. They want to turn the world into a sickroom. And once they get humanity strapped to the operating table, they operate on it with an ax.
You wouldn't tolerate an underperforming surgeon in an operating theatre, or a underperforming midwife at your child's birth. Why is it that we tolerate underperforming teachers in the classroom?
I hate stories in which a person has an occupation and you never see him working at it, like all those marvelous Cary Grant movies where he's a surgeon, and you never see him in the operating room.
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