A Quote by Frank O'Hara

Kerouac: You're ruining American poetry, O'Hara. O'Hara: That's more than you ever did for it, Kerouac — © Frank O'Hara
Kerouac: You're ruining American poetry, O'Hara. O'Hara: That's more than you ever did for it, Kerouac
Before they did all those shows on Jackson Pollock, I loved the way he formulated his paintings. I loved Basquiat - I was into the whole Beat generation, Kerouac, etc., and all those artists talked about that and Kerouac, so I just got in the middle of being spontaneous.
I used to take 'Visions of Cody' by Jack Kerouac on tour all the time. I don't really love Kerouac, but that book, you could just open at any page and find something incredible for that day.
People have told me to change it over the years, but my dad is always saying, 'Never change your name!' My middle name is O'Hara, so it's a pretty epic name. Emily O'Hara Ratajkowski.
If I'm still wistful about On the Road, I look on the rest of the Kerouac oeuvre--the poems, the poems!--in horror. Read Satori in Paris lately? But if I had never read Jack Kerouac's horrendous poems, I never would have had the guts to write horrendous poems myself. I never would have signed up for Mrs. Safford's poetry class the spring of junior year, which led me to poetry readings, which introduced me to bad red wine, and after that it's all just one big blurry condemned path to journalism and San Francisco.
Black musicians were imitating speech cadences, and Kerouac was imitating the black musicians' breath cadences on their horns and brought it back to speech. It always was speech rhythms or cadences as far as the ear that Kerouac was developing. All passed through black music.
Kerouac was the cowboy that inspired the whole Beat Generation, and highlighted and put the spotlight on all of these minds that didn't really know what they were doing at the time, but accomplished something much bigger than what they ever foresaw.
Kerouac was a breeze, some kind of incredible super-American, mythos personality blasting through the highways of 1947 America.
I always thought, I can't waste time, I have to do work. I also thought that I was slower than other people, that I had to concentrate more. I always thought, I'm not brilliant, I have to work. That was something I embedded in myself very early: I have to go home and write. But did I get any more work done than people like Frank O'Hara, who were always going to parties? Probably not.
I'm trying to do what Frank O'Hara did and remind myself there there's a lot of good stuff. I write about New York for my own mental health.
Jack Kerouac did what he most wanted to do. He wrote great prose. He became the writer he wanted to be.
I feel like if you're a girl in the South, you know 'Gone with the Wind' better than anything. Scarlett O'Hara is such a quintessential Southern woman.
Kelli O'Hara is incredible.
Jack Kerouac seems to have been preoccupied with the question of duality from a very young age. He seemed to feel that there was more than one person inside him. Indeed he would veer from friendly, open and so on to someone who was angry. In a way, there was a swing also between his American self and what he later called his Franco-American older brother. There was a swing between the deeply introverted part of himself and the person he became out in the world, having to act in an extroverted way.
Very few ideas are better than Catherine O'Hara's ideas when it comes to acting.
I shall play Scarlett O'Hara.
To me, O'Hara is the real Fitzgerald.
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