A Quote by Frank Sinatra Jr.

Since my father's death, a lot of people have made it clear that they're not ready to give up the music. For me, it's a big, fat gift. I get to sing with a big orchestra and get to sing orchestrations that will never be old.
Music education was always big for me. Ever since I was a young kid, I always said it was the reason I went to school sometimes and knowing if I didn't do well in class that my mom wasn't gonna let me sing in school or sing at that concert.
I used to sing when I was six years old. When the family would leave the house, I'd get up on the stool and sing. 'T for Texas, T for Tenessee, T for Thelma, the gal that made a wreck out of me.' I was in love with my babysitter. She was 18. I was six.
When I got to sit in Big Bird's nest with Big Bird and sing the song, 'Sing. Sing a song. Sing out loud,' that was my crowning achievement.
That's the beautiful part about acting - you get to play somebody other than yourself. So, I'm open to people who can't sing, people who can, people that sing a little bit, or people that sing a lot.
I have to get up the fitness level, sing a lot, practice, get in the mood, and generally do lots of rehearsal. Get your body and mind ready.
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I don't like being in big crowds, I don't like being in a room full of people. I get anxious and nervous, but I'm pretty confident about my music. It excites me because I get to sing to all those people.
He [Alan Lomax] started right off trying to find people who could introduce folk songs to city people. He found a young actor named Burl Ives and said, "Burl, you know a lot of great country songs learned from your grandmother, don't you know people would love to hear them?" He put on radio programs. He persuaded CBS to dedicate "The School of the Air" for one year to American folk music. He'd get some old sailor to sing an old sea shanty with a cracked voice. Then he'd get me to sing it with my banjo.
It didn't make much difference what time of night it was, whenever [my father would] come in drunk, he'd say, "Get up and sing me some songs." We didn't want to sing but we sang.
While growing up in Birmingham around a lot of West Indian people, reggae and calypso were big influences early on but Otis Redding was the one person who made me wanna sing myself.
I know it might be surprising to some, but anyone who knows me - especially those who shared a changing room with me in my playing days who first told me I could sing - will tell you what a big fan I am of big band music.
I will personally never ever get over the communal experience of theatrical cinema. I will never get over the scale of a big screen in relation to your small body, big sounds in a big room with a bunch of other people.
Music is a big passion for me, and whenever we all friends get together we play guitar, sing songs and play games.
I love the whole aspect of music, especially the singing; I never get tired of finding new songs to sing and sing them in a way that's interesting for the public.
Now one thing I think is really lame, is if you're an artist and you go to a karaoke bar and sing your own song. I like to get up there and sing stuff that I would never sing on stage anywhere else. Like Neil Diamond.
Music composition was a creative call for me, and it gives me a kick. But I never thought that I would ever sing professionally, even though I used to sing a lot.
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