A Quote by Frankie Faison

I've been asked far too often, 'Can you be blacker?' I've gotten done with auditions and heard, 'We're not going to go black with this character.' — © Frankie Faison
I've been asked far too often, 'Can you be blacker?' I've gotten done with auditions and heard, 'We're not going to go black with this character.'
One never wants to do anything that's going to break that 'sculpture of the character' that's been done so far, or make anything that's been done so far become illogical in any way, so you always want to try to connect when you're doing a series of films that has a continuous character.
My mother often says that she could never have done it if I had been the youngest, if she had other small children she had to cart around New York City for my auditions and go-sees (modeling auditions) and stuff.
Too far often, Black people are reminded of how far we have come as opposed to how far we can go. In doing this, we sleep on racism.
I've done a handful of voiceover and on-camera jobs where I've been asked to 'be blacker.' That's code for sassier, more ghetto, more neck rolls and snaps.
As a feminist, just to speak to what women go through, I think women are put in a box way too often. What I love about 'You're the Worst' is that no female character is portrayed as a black-and-white cartoon character. We're all complicated, messy human beings.
I have in my life never been guilty of saying things I did not mean - my nature is to go straight to the heart and if often I fail in doing so for the time being, I know that Truth ultimately makes itself heard and felt, as it has often done in my experience.
White people scare the crap out of me. I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord, never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say, 'We're going to eliminate ten thousand jobs here - have a nice day!'
People get TV deals by doing something in their grandmother's basement. It is definitely the wave. Everybody is trying to do all that stuff. I mean, the Internet is the only reason that I've gotten work is because I've somehow created a line and people have seen it. And then I've been asked to auditions.
I always felt like - I mean, I was told, really - I couldn't go too far with the productions because it didn't appeal to black radio. It wasn't until I decided I was going to do what I wanted to do or I was going to quit that I empowered myself. I took my power back.
What the Clintons have always done is embraced challenging. They can't have enough photo opportunities with Al Sharpton or Jesse Jackson. They communicate to blacks that they agree with their challenging identity. So, in a sense, Hillary is blacker than Barack Obama. Their alignment with this black identity makes them 'black' in a metaphorical sense, I guess.
You might look at my CV and see I've had 12 jobs, but I've been to over 450 auditions so I've heard 'no' a lot more than I've heard 'yes'. So if I go in looking only to meet my own standards, then that will make taking that rejection a little bit easier. And when I do get that job it will seem like icing on the cake.
I've gotten auditions with as little as two hours' notice. Those don't go so well!
I'm blacker than Barack Obama. I shined shoes. I grew up in a five-room apartment. My father had a little laundromat in a black community not far from where we lived. I saw it all growing up.
asically, we got to know other and openly trade stories, and had some time to prep. As far as the 'going too far' thing, the great thing about film art is that you can go too far, and with multiple takes nobody has to see it.
I really am a guy who can be black and white. I don't understand, too much, the gray. And truly I can go from one type of character to another type of character.
I started making work that I assumed would be far too garish, far too decadent, far too black for the world to care about. I, to this day, am thankful to whatever force there is out there that allows me to get away with painting the stories of people like me.
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