A Quote by Franz Kafka

We photograph things in order to drive them out of our minds. My stories are a way of shutting my eyes. — © Franz Kafka
We photograph things in order to drive them out of our minds. My stories are a way of shutting my eyes.
Ultimately — or at the limit — in order to see a photograph well, it is best to look away or close your eyes. 'The necessary condition for an image is sight,'Janouch told Kafka; and Kafka smiled and replied: 'We photograph things in order to drive them out of our minds. My stories are a way of shutting my eyes.
Because of the influence of the cinema, most reports or stories of violence are so pictorial that they lack content or meaning. The camera brings them to our eyes, but does not settle them in our minds, nor in time.
The nations of the Middle East will have to decide what kind of future they want for themselves for their country and, frankly, for their families and for their children. It's a choice between two futures, and it is a choice America cannot make for you. A better future is only possible if your nations drive out the terrorists and drive out the extremists. Drive them out. Drive them out of your places of worship. Drive them out of your communities. Drive them out of your Holy Land. And drive them out of this earth.
Pain, loss and separation are inevitable on the path of love, and the only way of avoiding them is by deciding not to take that path at all. In order not to suffer, you have to renounce love.It was like putting out your own eyes in order not to see the bad things in life.
Just as our eyes need light in order to see, our minds need ideas in order to create.
Just as our eyes need light in order to see, our minds need ideas in order to conceive.
For a very long time now, we've seen things one way, which is through the eyes of men. Quite frankly, I'm a little bit bored by our stories and the way we perceive things.
One of the things I tried to do is to kind of talk my actors through the scene, but at the same time let them know how I plan to shoot the film and just give them an insight into the way I'm thinking, so that when they're acting out their scene, they can kind of see it in their minds' eyes.
I don't usually give out advice or recipes, but you must let the person looking at the photograph go some of the way to finishing it. You should offer them a seed that will grow and open up their minds.
The way in which the photograph records experience is also different from the way of language. Language makes sense only when it is presented as a sequence of propositions. Meaning is distorted when a word or sentence is, as we say, taken out of context; when a reader or listener is deprived of what was said before, and after. But there is no such thing as a photograph taken out of context, for a photograph does not require one. In fact, the point of photography is to isolate images from context, so as to make them visible in a different way.
The short story is so much about inevitability and this feeling that things always had to be this one way, and I wanted the apocalypses to blow that idea apart. I hope it feels that way. I hope the book invites people to read the stories in order and then, if they feel like it, maybe not read them in order the next time.
No matter how healthy, intelligent or affluent we may be, if our minds are weak, then our happiness will also be frail and brittle. Our minds of faith, moreover, enable us to bring out the full potential in all things and situations, so it is crucial that we strive to forge our minds of faith.
My greatest challenge has been to change the mindset of people. Mindsets play strange tricks on us. We see things the way our minds have instructed our eyes to see.
So much of the knowledge in our minds is based on lies and superstitions that come from thousands of years ago. Humans create stories long before we are born, and we inherit those stories, we adopt them, and we live in those stories.
Humanity's legacy of stories and storytelling is the most precious we have. All wisdom is in our stories and songs. A story is how we construct our experiences. At the very simplest, it can be: 'He/she was born, lived, died.' Probably that is the template of our stories - a beginning, middle, and end. This structure is in our minds.
Protecting people from the truth is another way of shutting them out.
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