A Quote by Fred Allen

The first thing that strikes a visitor to Paris is a taxi. — © Fred Allen
The first thing that strikes a visitor to Paris is a taxi.
I'm someone who came to Paris as a teenager, and I dreamed of coming back to Paris as a visitor. I never dreamed of having a job at the biggest luxury house in Paris and, you know, 15 odd years later, I'm still here.
Paris Hilton is going on a goodwill mission to Rwanda. It’s the first time an entire Third World country will have to get immunizations for a visitor.
This is what you do on your very first day in Paris. You get yourself, not a drizzle, but some honest-to-goodness rain, and you find yourself someone really nice and drive her through the Bois de Boulogne in a taxi. The rain's very important. That's when Paris smells its sweetest. It's the damp chestnut trees.
I remember getting my first cell phone in New York, getting into a taxi and thinking "This is the end of solitude in the back of a taxi." What used to happen in the back of a taxi? You looked out the window. My brain has become less able to spend lengths of time without shifting, and I worry about that.
There are two kinds of travelers. There is the kind who goes to see what there is to see, and the kind who has an image in his head and goes out to accomplish it. The first visitor has an easier time, but I think the second visitor sees more.
The first thing you start with when you're trying to write something funny is it has to - it really has to come to you first. I has to be an idea that you have that first makes you laugh, that strikes you as funny.
No, in Lethal Weapon I was a taxi cab driver that Mel jumps in front of the taxi and pulls me out of the car and steals the taxi. Then I did some other indie driving for some of the car sequences.
When I went to Europe for the first time, I went to Paris and then to Venice. So after Paris, Venice was my first great European city, and it just blew me away.
When I came to New York it was the first time I'd ever taken a plane, the first time I'd ever gotten a taxi-cab, the first time for everything. And I came here with 35 dollars in my pocket. It was the bravest thing I'd ever done.
There were momentary visitations. I was a visitor, not an inhabitant. I think I say that at the beginning of the book: "I have made visits to the earth in my body, but it's always been as a visitor."
Americans continue to visit Paris not just for Paris, but for ‘Paris.’ As if out of some collective nostalgia for what Paris should be, more than what it is. For someone else’s memories.
I would distinguish between a visitor and a pilgrim: both will come to a place and go away again, but a visitor arrives, a pilgrim is restored. A visitor passes through a place; the place passes through the pilgrim.
Just as China achieved much more than India in the realm of public health and education under an austere Communist regime, so its economic growth under a capitalist-friendly government strikes a visitor from India as nothing less than spectacular.
The first thing that strikes a person when it comes to Southern film industries is the hard work, professionalism and the punctuality that people religiously adhere to.
I was in a taxi the other night, and we started talking about life and the taxi driver goes, 'Chaos and creativity go together. If you lose one per cent of your chaos, you lose your creativity.' I said that's the most brilliant thing I've heard. I needed to hear that years ago.
The first thing to do is to arrange to be born in Paris. After that, everything follows quite naturally.
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