A Quote by Fred Armisen

I came away from 'Saturday Night Live' feeling very well represented. I felt, and I still feel like, they let me do so much stuff that I wanted to do. Stuff that I almost didn't even know what it was.
You know, if you look all my stuff... If you go back to 'Saturday Night Live,' my stuff always has music, even a bunch of my comedy stuff - like in 'Shrek,' the donkey is always singing. Music is always there.
I was just trying to blend the standup that I do almost with like the visual sketch stuff that I did on "Saturday Night Live." And so in terms of how elastic in the world is, we'll see what we can get away with [in John Mulaney show].
I had just left 'Saturday Night Live' when I came to 'The Daily Show,' and it just felt like Jon was on my side. I'll always be grateful to him for that. I just got the impression he wanted me to succeed, and then I wanted to succeed for him. I think that's good leadership.
I felt like I couldn't fully be myself and accepted in my family, so I would lock myself in my room on a Saturday night and watch 'Saturday Night Live,' and that was, like, the best thing that ever happened to me.
I do feel like anything benefits from character logic. That can be from the dumbest ad to the greatest Shakespearean drama to the silliest 'Saturday Night Live' sketch. There is a certain specificity in detail, which you can get when you're paying attention to stuff like that.
I've always kept a low profile and said no to 'Saturday Night Live' and stuff like that.
Doing Saturday Night Live definitely affects my relationship with my girlfriend and with my family, because you feel so much pressure to do well that night. But I think everyone's grown to accept that and so they give me my space at the show.
A lot of the original people on 'SNL' came through Chicago - and Toronto, I'm sure - but Chicago was the center of it all. When I was there, Chris Farley - I knew him; we hung out and stuff - he went off to 'Saturday Night Live,' it was like, 'It's possible to be from here and make it.'
I always grew up around acting. I did commercials as a kid and all that kind of stuff and my oldest brother did theatre in High School. It's funny, when I was 15 I had a friend of mine who dragged me away to a camp at Boston University. It was the first time truthfully that acting didn't feel presentational; it felt very personal. I didn't just feel like I was singing and dancing for my friends in High School. It felt like I was doing a scene and all of a sudden I started to feeling something - I started to feel emotional.
I feel like with everything you do, everything you make, everything you experience, y'know, even the dumb stuff that you don't even really pay much attention to, like the mundane stuff that happens to you every day, it shapes the person who you are.
I wanted to be the next Dana Carvey. This was my ultimate goal. If I ever cut into a birthday cake and made a wish, I would wish to be on 'Saturday Night Live.' If I threw a coin into a fountain, I would wish to be on 'Saturday Night Live.' If I saw a shooting star, I would wish to be on 'Saturday Night Live.'
With the Roxbury guys (on 'Saturday Night Live'), I think the breaking point was when Stallone came on and wanted to do the sketch just because. And we're, like, 'Well, now we've got to create a story, so, what, are we bopping our heads with Rocky? What are we doing?'
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.
I do miss Saturday Night Live, that's for sure. There's nothing like it. I just hosted, and I felt I'd only been away for a week.
I don't miss 'Saturday Night Live.' I feel less of a need for the fulfillment that performance used to give... I don't have to do everything right away. As long as I can walk and jump, I'll still perform, but I no longer feel such a compulsion.
When I got to Saturday Night Live, it was a lot like going from pre-school to Harvard, and it took a long time to figure stuff out.
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