A Quote by Fred Ebb

What good is sitting alone in your room? Come hear the music play; Life is a cabaret, old chum, Come to the cabaret. — © Fred Ebb
What good is sitting alone in your room? Come hear the music play; Life is a cabaret, old chum, Come to the cabaret.
Life is a cabaret, old chum! Come to the Cabaret.
A cabaret song has got to be written - for the middle voice, ideally - because you've got to hear the wit of the words. And a cabaret song gives the singer room to act, more even than an opera singer.
I played piano for cabaret stars and stuff and then eventually moved from my hometown of Perth in Western Australia to Melbourne, and somewhere in there, I decided to book myself a room and do a cabaret show of my own material.
I've always been a cabaret-vaudeville artist - an hourlong cabaret and a floor show in a hotel - somebody like that. That's my main forte.
I think that's the graveyard of musicians, playing cabaret. I think I'd rather be dead than work in cabaret. It's just so depressing.
I have a great interest in Victorian musical & cabaret performances and Weimar artists so the references are there, to Cabaret and also All That Jazz and other films where, where there's a kind of (influential German playwright Bertolt) Brecht-ian approach, almost to the character standing outside of himself or, in this case, he's "self-séance-ing."
He'd actually done it! He leaned back into the microphone and whispered to the now silent cave: 'Come to the Cabaret!
[David] Bowie went on to make best-selling music - funk, dance music, electronic music, while also being influenced by cabaret and jazz.
Getting to do 'December Songs' in a cabaret-style format was so interesting because it's like a one-woman song cycle that actually tells a story. It feels like a theatrical experience more than a cabaret because I didn't talk in between. We went from one song to the next, nine songs in a row - bam - I told the story in half an hour.
I always wanted to play Roxie Hart in Chicago and also Sally Bowles in Kander and Ebb's Cabaret, but I have a feeling I won't now! I've also always wanted to play Maria in The Sound of Music, but don't suppose I'll ever do that either!
I grew up listening to cabaret. At 7 and 8 years old, I was already singing like a club performer.
Life isn't a cabaret. It's a dive bar.
I've never done a musical, and I don't think I could do one, but I would love to play Sally Bowles in 'Cabaret.'
Sitting in a room, alone, listening to a CD is to be lonely. Sitting in a room alone with an LP crackling away, or sitting next to the turntable listening to a song at a time via 7-inch single is enjoying the sublime state of solitude.
When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record. I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like. I can remember sitting up in guitarist Chris Walla's bedroom and for the first time in my life having this realization like, "Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play."
What good is sitting all alone in your room?
This site uses cookies to ensure you get the best experience. More info...
Got it!