A Quote by Fred Korematsu
Before the war, my parents were very proud people. They'd always talk about Japan and also about the samurai and things like that. Right after Pearl Harbor, they were just real quiet. They kept to themselves; they were afraid to talk about what could happen. I assume they knew that nothing good would come out of it.
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I always wanted to have a young female artist that would tell me the truth about life and not only talk about the good things or the things that were exciting or interesting but also talk about the things that people in general are skeptical to talk about- the bad things that do happen. A good 50% of our lives is things that are happening that we're not necessarily super thrilled about and I feel like that's missing from pop music a lot of the time so my main goal is to be truthful about everything and not just specific things.
We worked on The Perfect Storm, and I'll never forget, Wolfgang Petersen would talk about a moment. Like a non-speaking moment, where we'd all be sitting around eating dinner, and it would probably last maybe four seconds on screen. But he would sit there and talk about it for about 10 minutes. He knew what piece of the puzzle that scene would be, and if it were six seconds, it would be too long. If it were three seconds, it wouldn't be enough. I'm always turned on with people's enthusiasm like that.
I am so proud of being a Paralympian because I think the Games are a very good platform for disabled persons to perform themselves. Within the Paralympics movement, it's not just talk about excellence; it's not just talk about the competition. It's also talk about the equality and how your world accepts those disabled people.
I've always tried to do things a little bit before they were being done by the mainstream. I challenge myself to do that in stand-up also, to talk about things that I'm not hearing anybody talk about onstage and in the media.
We don't talk about that at all as a country. I think that most people assume that there's nothing they could do if a nuclear bomb went off in their city. And that's just not true. Most people would survive most terrorist nuclear attacks because the bombs would likely be much smaller than those we were dealing with in the Cold War.
And they didn't have to get into a lot of legal speak or talk ER terms, they were real people. I think that's why so many actresses were attracted to it. And it was just about problems that you could identify with so much, right off the bat.
Scorsese would talk to me about this movie 'The Heiress' with Olivia de Havilland. We were talking about this scene in it, and suddenly we were rolling. It was very intentional, and I didn't realize - because we talk old movies all the time.
I always read all these books about the slaves. My mother is very educated. My father would talk to us like we were grown men. We never knew what he was talking about half the time.
Do not talk about giftedness, inborn talents! One can assume great men of all kinds who were very little gifted. They acquired greatness, became “geniuses” (as we put it), through qualities the lack of which no one who knew what they were would boast of: they all possessed that seriousness of the efficient workman which first learns to construct the parts properly before it ventures to fashion a great whole; they allowed themselves time for it, because they took more pleasure in making the little, secondary things well than in the effect of a dazzling whole.
There were times when I purposely didn't go to school because of Pearl Harbor Day, because certainly there was enough media about it every year to remind everybody. So when I heard they were going to make the movie, I thought, "Oh, no, please not another Pearl Harbor mention!"
I think any information about any type of art form, it's always the right time. But since the last one, I could see there were many things about the culture of DJing that we don't really talk about. We don't really look at how the music is made, how it's conceptualized, how it's put together. We talk about the equipment and the software, but we don't talk about the reasons why we put the music together in the first place.
Every time you hear anyone talk about the Caribbean, whether it's Caribbeans themselves or people outside, there's always talk about women's bodies. Talk about this voluptuousness, this kind of stereotype of what a Caribbean person is. And I think these are stereotypes that even people inside the culture, we actually sometimes claim them and we're very proud.
I talk to my kids about my mothers energy and how she would have loved them. I talk about how kind and polite my father was. So that they have some kind of remembrance that even though my parents died from their addictions and so that they know they were genuine in how they were.
Let's talk about real fake news. If this were about a religion or if this were about a Muslim ban, then how come the largest Muslim nation on the planet...Indonesia, exactly, isn't listed?
I love histories. I love learning. I love books that talk about people who made a real impact on history, because it always has to do with who they were at that time and what their personalities were like and what their strengths and weaknesses were.
We were all anti-Reagan, we were all politically-aware, we were all anti-war and things like that. These days a lot of the newer bands don't even really talk about that sort of stuff anymore.
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