A Quote by Freddie Prinze, Jr.
My old man taught me a lot of stuff in his death that I don't even know if he would have been able to teach me had he been alive. And that was to never do stuff that can jeopardize the people you love and hurt them.
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Magazines in the traditional sense were aggregators of novelty. A good magazine was a lot of novelty, stuff you've never heard of before, clearly aggregated by people who have been able to travel further and dig deeper than you have been able to do. And that used to be really an important source of stuff for me. And now it is less important because the Internet has eaten it all up. But my Twitter feed as an aggregator of novelty is like... I don't know what I would do if it became any more powerful, I would have to start reining it in somehow.
Greedo taught me a lot. I don't say that about every artist. Some artists might teach me stuff musically, but Greedo taught me stuff about being a man and being a musician and being a creative, and being different from other people.
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.
Karl Malone used a lot of veteran stuff that I thought was cool. Charles Barkley taught me a lot when I played against him. How he would use his body or use his dribble to get people in there and all that stuff. Veteran moves.
I'm a huge NASCAR fan, but I'm not a gearhead. I've never been into fixing cars. It's not because I don't like it. I would love to know more. It's just my dad never taught me that stuff because my dad wasn't a mechanic.
I was in Korea. I've noticed all my life I see elderly people who have been close to death in an illness and they're absolutely cured and they say, now I know how to live my life. I've seen death. That happened to me when I was 19. It was a terrible, terrifying thing. And I live my life like those people decided to do when they were old. So, since I was 19, I've had the most fun possible every single day, even when I had a rough life. It was the army which taught me about life, and the theater which taught me how good it could be.
I've been bumped, I've had to go up after them, I've had stuff thrown at me, I've been booed. I've had people steal from me and lie to me.
God has given me so many things along the way - a lot of stuff that I had no control over. God's had his hand in everything I've been able to accomplish.
He’d never be able to touch her, and as passionate as she was, she would eventually need a man who could. He’d never had to worry about these things before because he’d never been with a woman. Not even before his possession. He’d been too busy then, too involved in his job. Maybe he needed to join Workaholics Anonymous, he thought dryly. He had to be the only millennia-old virgin in history.
With 'Seven Deadly Sins,' there was a lot of personal stuff in there that I didn't even realize I'd been carrying around for awhile. And a lot of guilt involved, a lot of emotion, a lot of depression. Once I was done writing that book, I was able to really let go of that stuff.
I exclusively attended public school... And I can honestly say that on the day of my graduation, if you had given me a pop quiz on history, science, or math, I would have in no way been able to pass it - despite the fact that I completely understood it at the time that it had been 'taught' to me, and had even made a good 'grade' on it.
There's a lot of times when I shouldn't have been here. I go, 'Man, I'm blessed.' I've had people shoot at me and had all kinds of stuff happen, and somehow I'm still here, and other people are not.
Alan Menken took me to his studio and we went through his trunks of songs and put together an album of stuff that people and stuff that people don't know. I'm very proud with the way it came out. I had no idea what it would be like to do an album and that process was grueling and tedious but it was very rewarding. I would do it again if I had the chance.
There was a man that hated his footprints and his shadow, so one day he thought that if he ran fast enough, his footprints and shadow would not be able to follow him and then he never ever had to look at them again. He ran and he ran as fast as he could, but the shadow and the footprints had no problems keeping up to him. And he ran even faster and all of a sudden he fell dead to the ground. But if he been standing still there hadn't been any footprints and if he had been resting under a tree his shadow had been swallowed of the trees shadow.
You know, I didn't write my books for critics and scholars. I wrote them for students and artists. When I hear how much my work has meant to them--well, I can't tell you how happy that makes me. That means that this great stuff of myth, which I have been so privileged to work with, will be kept alive for a whole new generation. That's the function of the artists, you know, to reinterpret the old stories and make them come alive again, in poetry, painting, and now in movies.
I had a lot of time to myself, and I would listen to a lot of music, mostly music that I knew fairly well and had a relationship with. And I'd think, well, what is it that I've never been able to do that this person or people are able to do with this song? Why haven't I been able to do it, and what can they do that I wish I could do? And then I'd try to do that. I'd start each day getting into the songs, and I'd think about how I might get closer to this music that I love, but haven't been able to make before.
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