A Quote by Frederic Raphael

The great networks are there to prove that ideas can be canned like spaghetti. If everything ends up by tasting like everything else, is that not the evidence that it has been properly cooked?
It is surely no mere coincidence that the land of the emancipated and enthroned woman is also the land of canned soup, of canned pork and beans, of whole meals in cans, and of everything else ready made.
Just because we say networks are important doesn't mean that networks explain everything. We're just adding additional information. Networks don't work like a match - they work like a magnifying glass.
The whole world says that my Way is great like nothing else. It is great because it is like nothing else. If it were like everything else, it would long ago have become insignificant.
A weird sort of awareness set in, like, 'Wow. My stand-up isn't just separate from everything else I do anymore.' With Twitter and Face book, everything is universal that everything everybody says gets seen.
In the BA Test Kitchen, I don't consider my station to be set up until there are at least 50 tasting spoons in the crock on my counter, and when I walk, my spoon-filled pockets jangle like a villain's spurs in a spaghetti Western.
Everything was a constant battle. My first film was beautiful. I got an amazing cast. That worked out great. Everything else was like murphy's law. Everything that could go wrong, did go wrong.
Ideas are like everything else. They've got to be marketed.
I came to the conclusion that unless you are ruled properly, you cannot move forward. Everything else is second. Everything.
You know what I'd like to be able to do more than anything else? I'd love to be able to shoot spaghetti out of my fingertips. Pppptthhh! Cause no one wants to be covered in spaghetti. No. If I'm on a date with a girl and she's very rude, I'd be like, You know what? Pppptthhh! Enjoy your spaghetti, you're very rude. Enjoy your spaghetti, cause you're rude. Pppptthhh!
History is a long and endlessly interesting argument, where evidence is everything and storytelling is everything else.
Right now I think I'm the smartest I've ever been. I'm doing everything great now and everything perfect. Like with this taxes stuff. I'm getting better at that. I'm making sure everything is a write-off. Every single thing.
It is not the practice, now will I allow subversives to get away by insisting that I’ve got to prove everything against them in a court of law or [produce] evidence that will stand up to the strict rules of evidence of a court of law.
The truth is... everything counts. Everything. Everything we do and everything we say. Everything helps or hurts; everything adds to or takes away from someone else.
Television viewership has been declining for a number of years. The internet has been blamed. Everything has been blamed. Except for what I think the problem is: that the networks own the shows, and they completely think that they make them. They don't any longer let the people who make shows just make them. The networks have notes about everything. They are intimately involved in every aspect of the process. And I think it's hurt the process.
The piano is where everything starts and ends. Everything is based off of it. If you understand that, you wind up understanding a lot more in all other instruments. For me, it had always been something important to try and learn.
Television news is like a lightning flash. It makes a loud noise, lights up everything around it, leaves everything else in darkness and then is suddenly gone.
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