It's always good to have your players with you, it makes you feel great. That is just it. The coach and the players understand one another but people outside don't understand. But it's good to see him, it's good to see all the players.
I think when you move to a country like the U.S., you need to understand the culture, to understand how people see the game, and adapt yourself.
I stickhandle a lot at practice. I watch a lot of hockey, so I try to either pick up something from other players or watch some video and see what kind of move would work in the same situation.
If we're going to be getting treated like that, why can't we treat the clubs like that? I just want to see the game and the players looked after the way they should be because the crowds don't turn up to watch David Gallop play... they turn up to watch the players play.
Great players are very good technically, but they also have a huge amount of character because, without it, you will never get to see that great technique because it vanishes under pressure.
In chess there can never be a favorite move. I can probably pinpoint in a specific game, there might be a move that was like, "Oh, that was a good move." And maybe certain moves turned the whole game around, but there's not one special move that does that, unless it's checkmate because that's when the game is over.
I don't know how smart I am, but I was a student of the game and I still watch games and still pick up things. If you watch individual players you will see genius.
Normally when I look at stuff, I try to look at the good things. When I watch video, I try to watch the good starts so I can see how my mechanics are in those.
The players start to recognise your game, start to know how you move, how you pass, how you shoot and the things become difficult now. So now I need to improve more and to work more and understand more the teams who I play against because they will understand me better, but I need to be prepared to understand better the difficulties they can have.
A lot of what I do is try to watch tape and understand how guys come out of breaks - what their footwork looks like, or how they look at the top of a pass route. Guys have tendencies. I try to understand what they do, which allows me to be successful.
You see the assets of your actors and you see their strengths and you try to play into them. It's like I feel part of my job is as a coach. I'm putting a team on the field and you want to formulate how to make the best game out of these players.
The mental game is what separates the good players from the great players. So anything I can do to get that mental edge to help me stay my best, I'm gonna try and do it.
We have to understand the abilities of the players. We will try to build a game model with our ideas and with the players we have.
I feel like, growing up, I watched football, obviously, and you see great players, and as a fan, you want to watch the best you can possibly watch, and you want to see what's capable of being made.
Other players can be leaders on the pitch, but not all players can understand another player, so I try to. You need to understand the heart of another player. I try to read other people, to figure out how I can joke with this guy, how I can help him or touch his heart.
It doesn't matter how good you are, it's about connecting with your audience. It doesn't matter how technically good you are, if nobody wants to watch you then you're no good to anybody.