A Quote by Freya Ridings

The thing with 'Lost Without You' is that for a long time I didn't feel like I could share it with people. When it came to releasing it, it was a cliff-diving moment. — © Freya Ridings
The thing with 'Lost Without You' is that for a long time I didn't feel like I could share it with people. When it came to releasing it, it was a cliff-diving moment.
It's tough to know who's better in cliff diving. Like, you see a guy diving off a cliff and you go, Oh, man, a guy diving off a cliff! And then another guy'd dive- Oh, there's another guy diving off a cliff there. But you can't tell who's better, y'know? Like, uh- if you survive at all, hey, you're a great- you're a great cliff diver there. There's only two classifications in cliffdiving. There's, uh- 'Grand Champion' and then, uh- 'Stuff On a Rock.' Very hard to make a comeback in that sport, I'll tell you that.
In search of love and music My whole life has been Illumination Corruption And diving, diving, diving, diving, Diving down to pick up every shiny thing
If people are constantly falling off a cliff, you could place ambulances under the cliff or build a fence on the top of the cliff. We are placing all too many ambulances under the cliff.
When I came into Metallica, I had to do justice to Cliff's work, but I also had to put my own signature on it. No one could be Cliff Burton; Cliff Burton was the Jimi Hendrix of bass.
People have a lot of shame and suffering around it and I felt that the best thing I could do was to share my experiences, which I have been doing for a long time, and let people know that of all the things that I've endured.
My favorite sitcom of all time is 'Cheers.' That's a perfect example of how, like, people made fun of Cliff, but you never got the sense that they didn't like Cliff.
People in my village had this mindset that in big cities like New York, if you are lost or without directions, no one will help you. The first time I came here, I tried to make sure not to walk by myself, because it would be difficult for me if I got lost. But people will help you.
Falling for him would be like cliff diving. It would be either the most exhilarating thing that ever happened to me or the stupidest mistake I'd ever make.
Naturally I feel no shame in writing these things because of the time which separates the moment when they are written--when only I can see them--from the moment when they will be read by other people, a moment which I feel will never come. By then I could have had an accident or died; a war or a revolution could have broken out. This delay makes it possible for me to write today, in the same way I used to lie in the scorching sun for a whole day at sixteen, or make love wihout contraceptives at twenty: without thinking about the consequences
The important thing is that man is lost in time, in the moment that immediately precedes him - which only attests, by reflection, to the fact that he is lost in the moment that follows
I believe, and this is something I also learned from Alice Munro, that there's a moment where the personal becomes totally universal. When you see that person in their pathetic moment, that's the moment where the completely unifying sympathy with that person is possible - where you're no longer a person here and they're someone over there, and you can really feel like one, you can really feel like a human being. Or more like, you can really feel like flesh and blood, because I feel like that moment is the same thing with animals.
If I didn't travel so much, maybe my perfect Sunday would be skin diving on a coral reef - not scuba diving, as skin diving is more physical, and I prefer the lightness of it. Skin diving means wearing just goggles. Oh, I could wear some trunks, maybe.
Something I tried to hold onto, to touch if only for a moment, but it slipped away from me like the air, like an illusion, or a dream that floats away and is lost. I wept in my sleep as though it was something I was losing now; a loss I was experiencing for the first time, and not something I had lost a long time ago.
There are certain people you feel like you've known for a long time from the moment you meet them, and that's exactly how it was with Gaga.
All along — not only since she left, but for a decade before — I had been imagining her without listening, without knowing that she made as a poor a window as I did. And so I could not imagine her as a person who could feel fear, who could feel isolated in a roomful of people, who could be shy about her record collection because it was too personal to share. Someone who might have read travel books to escape having to live in the town that so many people escape to. Someone who — because no one thought she was a person — had no one to really talk to.
One thing people always ask me is 'How do you play outside?' ... I have no idea how to teach that, but when I was discussing this with our bass player Jesse Murphy, he said 'tell them to go cliff diving'... In other words, when you're jamming, you have to take risks if you want to find new sounds.
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