A Quote by Peace Pilgrim

As I looked about the world, so much of it impoverished, I became increasingly uncomfortable about having so much while my brothers and sisters were starving. Finally I had to find another way. The turning point came when, in desperation and out of a very deep seeking for a meaningful way of life, I walked all one night through the woods. I came to a moonlit glade and prayed.
The struggle through the grief was a huge growing process for me. There were gifts that came from it. I learned a lot about myself. I got into a mode very much like my father's own mode of seeking - seeking solutions, seeking teachers, seeking information - to try to alleviate my own suffering.
I always viewed life in a different way. For example, when I was flooded with offers and I was on radio, on television or giving music in films, I had so much work that I didn't know when morning came and when night came.
There came a time in my life where I just wanted to go out there and get myself a job somewhere. Boxing was all I had in my life for so long and there just came a point where the whole thing just became a bit too much for me.
I was uncomfortable because I had never been that nude before. I had never shown my legs, and never shown quite that much skin. I always played frigid doctors or the plain sisters who got the guy at the end. What did I know from ladies in caves who ate only meat? And when the outfit came in, I never thought of myself that way. I mean, I always thought of myself as having my father's chest. I was very self-conscious.
Of course I was in love with my father as a child. He was Daddy, and our house came alive in a special way whenever he walked through the door. He'd romp and play with us; my sisters and I would literally squeal with excitement when Daddy came home.
What has surprised me most about being a celebrity is the fascination with pregnant women. After I had Rocco, the paparazzi came and sought me out. I never had that before. There's a whole industry, literally, based on people having children. I guess because you're changing, putting on weight. It makes me very uncomfortable. I didn't enjoy that much at all.
They drove a long way through the snowy woods, till they came to the town of Pepin. Mary and Laura had seen it once before, but it looked different now.
See, the 'On the Road' that came out in 1957 was censored. A lot of the honesty of it, the bitter honesty, is in the original scroll version that came out in 2007 on the 50-year anniversary. Back then, there was so much post-Second World War fear that was imposed on everybody - 'You must live life this way' - and these guys were bored.
If I could, I'd change the way I came up through the football ranks. I'd love to have had an academy life the way the boys have it. I think female footballers would be so much better for having that opportunity, and we'd be more effective because we would be better players.
For me, when we came out with a TV show, my HBO show, so much of the feedback was, "How do I do it?" And my response was always the same: "Just make something." Stop talking about it. You do in a way that the work takes on a life of its own. Like the "Signature" series [(2008), in which the artist trekked across the United States in the shape of his own signature] was a simple concept that became this story about the people you met along the way.
On the outside, Oscar simply looked tired, no taller, no fatter, only the skin under his eyes, pouched from years of quiet desperation, had changed. Inside, he was in a world of hurt. He saw black flashes before his eyes. He saw himself falling through the air. He knew what he was turning into. He was turning into the worst kind of human on the planet: an old bitter dork. Saw himself at the Game Room, picking through the miniatures for the rest of his life. He didn't want this future but he couldn't see how it could be avoided, couldn't figure his way out of it. Fukú.
When I made my first record, I was very naive, and I didn't know much about production, and I had a very basic amount of equipment, and I was just digging through vinyl for samples in a very old-fashioned way. It was very loop-based and very cut and paste, and that's the way I started out.
I came to the conclusion that unless I found myself and became the change I wanted to see in the world - as Gandhi said - I couldn't contribute much, nor would there be anything fulfilling or meaningful in my life. So I went on a spiritual search.
I can't rightly say where deciding to write about the American Revolution came from; I had bits and pieces of information about the war and about the country at that time that I'd collected over the years and, of course, I'm comfortable in the woods, so, finally, it just all feel into place.
Growing up in the 80's, I think a lot of us saw things that were "new," an experience we don't get too much of these days. We saw things that were never done before. When Star Wars first came out, no movie before that had ever looked that way.
I was sleeping in the woods one night after a gig we'd played somewhere, when I saw this girl appear before me. That girl was Emily. (on how he wrote "See Emily Play") "Chapter 24"-that was from the "I Ching", there was someone around who was very into that, most of the words came straight off that. "Lucifer Sam" was another one-it didn't mean much to me at the time, but then three or four months later it came to mean a lot.
This site uses cookies to ensure you get the best experience. More info...
Got it!