A Quote by Friedrich Nietzsche
It is the powerful who know how to honour, it is their art, their domain for invention.
Related Quotes
Art is an invention of aesthetics, which in turn is an invention of philosophers... What we call art is a game.
There is no separate art of life. If you know how to allow poetry, if you know how to allow dance, if you know how to allow love - if you know how to ALLOW, then you know the art of life. In the allowing, in the let-go, in the surrender, is the art of life. How not to be and to let God be - that is the only art of life.
We aim in the domain of politics at republicanism; in the domain of economics at socialism; in the domain of what is today called religion, at atheism.
As the sun is to the earth, so Honour is to a man. without it, he will not flourish. All else may fail you, but honour is the treasure no one can take from you, the shield no one can penetrate unless you let them. Honour is beautiful and clean. Honour is sacred.
As you know, the Inquisition is an admirable and wholly Christian invention to make the pope and the monks more powerful and turn a whole kingdom into hypocrites.
Art is a path on which we honour our world. Art may not be the only path, but it is a good path, even though at times a difficult one. As bearers of this honour, we artists do not need to simply render our world as we see it but as we might ourselves redesign it. As artists, one of our privileges is to invent.
Creativity is any act, idea, or product that changes an existing domain, or that transforms an existing domain into a new one What counts is whether the novelty he or she produces is accepted for inclusion in the domain.
That's all I could ever hope for, to have a positive effect on women. 'Cos women are powerful, powerful beings. But they're also the most doubtful beings. They'll never know - we'll never know - how powerful we are.
Does it follow that the house has nothing in common with art and is architecture not to be included in the arts? Only a very small part of architecture belongs to art: the tomb and the monument. Everything else that fulfils a function is to be excluded from the domain of art.
It's useful to know how to go around domain blocking.
The culture of the United States has flooded the world. It's the inevitable result of a powerful culture, art. We've got an instinctive touch when it comes to the popular mind because we've had no aristocracy. It is a democratic country. And we know without knowing it, without bothering to understand it, how to reach ordinary people, sometimes with the most vulgar, worthless junk on the face of the earth, but we know how to do it [laughter].
A lot of people who curate in the business, and curate the art, don't really have good artistic sense. They may know commerce, but they aren't savvy enough to know how to balance commerce and art, you know? They don't know how to satisfy both palates.
There are no rules. That is how art is born, how breakthroughs happen. Go against the rules or ignore the rules. That is what invention is about.
I don't really know what it is about vampires that makes them such a powerful symbol, metaphor, whatever in people's consciousness. But I do know they're tremendously powerful. I mean, there's a vampire on 'Sesame Street.' And Count Chocula. I don't know why it's so powerful.
Imagine it's 1981. You're an artist, in love with art, smitten with art history. You're also a woman, with almost no mentors to look to; art history just isn't that into you. Any woman approaching art history in the early eighties was attempting to enter an almost foreign country, a restricted and exclusionary domain that spoke a private language.
You are very powerful, provided you know how powerful you are.
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