A Quote by Gabrielle Zevin
I hadn't ever felt any particular calling to be a novelist, and I clearly remember telling a friend of mine about six months before I started work on 'Elsewhere' that I would never write a novel.
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There's no way of telling why you want to do things beforehand. Something just grabs you. It might not grab you six months later, and it might not have grabbed you six months before, but at that particular moment it grabs you, so you jump on it.
I got the job [in Moana project] about six months before we started rehearsals. No, seven and a half months before we started at the Public, and so, it's been my ocean of calm throughout the Hamilton phenomenon.
I moved to Los Angeles in January 2004 because a buddy of mine, who I met at a friend's wedding, said he could get me a room in his apartment for $500 a month. I took it thinking that it would probably only be about six months before I moved back to Chicago, but I fell in love with it.
Honestly, six months before getting 'Orange Is the New Black,' I remember telling my manager I was done.
The good thing about being an actress is that it's very children-friendly. I can work for three months and then I can have six months off. And then I can work for six months and have six months off.
With "Margaret," I remember clearly it was, you know because I did remember it clearly. I was young. I was young in terms of experience and what did I know about and I had an incredible memory from my own childhood. And so it never occurred to me to write for any other age group. And I thought I'm going to write a book and I'm going to tell the truth.
When I was 30 or so - by that time I had become an assistant D.A. - I decided I would try to write a novel. To be clear: I did not decide to become a novelist. Honestly, it never crossed my mind that I could actually earn a living as a professional novelist.
I don't impose political responsibilities on my fiction. The last thing I would ever want to do, for example, is write a novel that would appear to want to tell people what to think about the immigration debate, and I would never write a novel whose sole ambition was to give a "positive" view of immigrants. I'm for open borders, by the way - down with the nation state!
I met Ashley two weeks before I married him. It was a joke-the most ridiculous thing I've ever done. Once I was married, I didn't want to be a failure, so I stuck it out for six months, which was about six months too long.
I had a stormy graduate career, where every week we would have a shouting match. I kept doing deals where I would say, 'Okay, let me do neural nets for another six months, and I will prove to you they work.' At the end of the six months, I would say, 'Yeah, but I am almost there. Give me another six months.'
I was once doing a question and answer period with the novelist Jane Smiley in a bookstore and someone asked us what our processes were and Jane said hers and then I said mine and Jane said, "Well, if I had a student like that I'd force him never to write like that again because you could never write a novel in the way that you write poetry."
When Pearl Harbor was bombed, you know, there was a whole lot of buy-in to a national mobilization. And 25% of the economy was transformed in six months. And we're not calling for six months, we're saying 15 years. That's about what we've got. And probably all that we've got.
Early in my career, when I was still learning about politics, when I was wet behind the ears and naive... Up until the time I started radio show, nobody that knew me ever thought I was a hatemonger or a racist or homophobic or sexist or bigoted or any of that. Nobody. There wasn't anybody. Six months after being on the radio with this program, I'd become all of that. And I remember.
From the beginning [of the Lincoln in the Bardo], I actually had it in mind not to write a novel. I'd kind of gotten past that point where I felt bad for never having written a novel, even to where I felt really good about it, like I was a real purist.
Nobody in France would ever say 'He's a Jewish novelist' or 'She's a black novelist,' even though people do write about those subjects. It would look absurd to a French person to go into a bookstore and see a 'Gay Studies' section.
My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it. I felt a calling.
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