A Quote by Garrett Clayton

I don't talk about how old I am because sometimes it can affect parts that you get in Hollywood. I don't believe that it's a necessary element. I feel that I'm a character, and I'm an actor. People focusing on my age instead of the role I'm playing can be a hindrance.
Age is a very psychological thing; I do not know how old I am if you ask my age. Age is calculated by when you get born, but I do not agree with that parameter. I sometimes feel like 25, sometimes 12 and at times 40, and I love that about myself as an artist. I am not stuck to a particular age.
It's true that old actors don't die, their parts get smaller. You're less likely to get the part, many parts, if you're playing people your age as opposed to people who are younger. There are fewer parts around.
Instead of focusing on my looks I focus on the character that I am playing.
When people talk about diversity and inclusion, sometimes there's a bit of an eye-rolling mentality or ticking boxes. But I feel like that's kind of necessary at times, because the playing fields are not level in the first place.
When you go for something because you're curious about it, you get psyched up about the chance of getting into it. It's like an actor meets a role, and you slip into that body and see what happens, to experience certain conditions, to adopt a certain character. Even shooting is a study of the character. I think both the character and the actor, and eventually the filmmaker - myself - are finding a way to accept their environment and being accepted and feel comfortable of themselves.
Sometimes an actor performs a character, but sometimes an actor just performs. With writing, I don't think it's performing a character, really, if the character you're performing is yourself. I don't see that as playing a role. It's just appearing in public.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
Why do people talk of the horrors of old age? It's great. I feel like a fine old car with the parts gradually wearing out, but I'm not complaining,... Those who find growing old terrible are people who haven't done what they wanted with their lives.
I love growing old and if I get good work playing women of my age and talk about their issues and lives, I am happiest doing that.
I really hate to get old. I don't talk about it much. And sometimes at night I wake up and I have nightmares that I know how old I am.
One of the views of the [actor's] job is that whatever age you are, there's a role that's about who you are and where you are. There are parts for that age that you can bring things to.
I think that's a challenge as believers - how do you demonstrate the gospel? How do you do that? I mean it's easy to talk about it and say 'Oh this is what we are supposed to be doing' and this is the relevance. But how do you do that with your hands instead of your mouth? How do you do it every day, instead of just onstage, how is it enacted? And I feel like that is one of the ways that we can show what we believe, by how we treat people around the world.
No one ever has a chance to get to know the real me because I do play a bad guy, and sometimes it's hard to soak in the comments or the negativity because that's the response you want to elicit. I am a normal person, but that's part of the job. I'm playing a character, and that's my role.
I don't see myself as one type of actor. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully. And so, it becomes an easier thing to see you as, for casting directors and directors, and they start to think of you as that particular person or type of character. But, for me, I'm just an actor, first and foremost. The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role.
I've done a lot of work on that so that no matter where I am in a team, whatever role I'm playing, it doesn't affect how I think about myself.
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