A Quote by Garry Marshall

I try to find scripts of stories that kinda celebrate the human condition... let's talk about the tough world out there and the human spirit overcoming adversity. — © Garry Marshall
I try to find scripts of stories that kinda celebrate the human condition... let's talk about the tough world out there and the human spirit overcoming adversity.
Bradbury would have said his plots are myths and metaphors that tell stories about the human condition. That's what sets him apart from other science-fiction writers: He doesn't write about technology, but about the human heart and psyche.
I try to just talk about human stories and what I think about religion or teapots or whatever.
in addition to the conditions under which life is given to man on earth, and partly out of them, men constantly create their own, self-made conditions, which, their human origins notwithstanding, possess the same conditioning power as natural things. whatever touches or enters into a sustained relationship with human life immediately assumes the character of a condition of human existence. this is why men, no matter what they do, are always conditioned beings. whatever enters the human world of its own accord or is drawn into it by human effort becomes part of the human condition.
The human condition comprehends more than the condition under which life has been given to man. Men are conditioned beings because everything they come in contact with turns immediately into a condition of their existence. The world in which the vita activa spends itself consists of things produced by human activities; but the things that owe their existence exclusively to men nevertheless constantly condition their human makers.
I feel very strongly that history is about everything. It isn't just about politics or the military or social issues. If art, music, engineering, science, medicine, finance, the world of architecture and technology - if those are left out, then you're not getting a full sense of the human condition. History is human and we human beings are involved in all kinds of things and that's part of our humanity.
I think that if there's one key insight science can bring to fiction, it's that fiction - the study of the human condition - needs to broaden its definition of the human condition. Because the human condition isn't immutable and doomed to remain uniform forever.
We had one or another form of state capitalism during an extremely brief period of human history, which tells us essentially nothing about human nature. If you look at human societies and human interactions, you can find anything. You find selfishness, you find altruism, you find sympathy.
The theist can only find meaning by leaving this life for a transcendental world beyond the grave. The human world as he finds it is empty of 'ultimate purpose' and hence meaningless. Theism thus is an attempt to escape from the human condition; it is a pathetic deceit.
After having read a lot of fiction, literature, whatever you want to call it, from Wolfe to Houellebecq, I think you have to have an understanding and insight of the human condition that is informed and motivated by a desire to immerse yourself in the human world and bring these stories to bear.
The human condition is the human condition, and what we try to do is illuminate the human condition.
Degas was obsessed by the art of classical ballet, because to him it said something about the human condition. He was not a balletomane looking for an alternative world to escape into. Dance offered him a display in which he could find, after much searching, certain human secrets.
Human life is an extension of the principles of nature, and human civilization is a venture extrapolated out of human natures: man and his natural potential are the root of the entire human domain. The great task of all philosophizing is to become competent to interpret and steer the potential developmental forces in human natures and in the human condition, both of which are prodigiously fatalistic.
Humans like stories. Humans need stories. Stories are good. Stories work. Story clarifies and captures the essence of the human spirit. Story, in all its forms—of life, of love, of knowledge—has traced the upward surge of mankind. And story, you mark my words, will be with the last human to draw breath.
We see a world of abundance, not limits. In the midst of a great deal of talk about reducing the human ecological footprint, we offer a different vision. What if humans designed products and systems that celebrate an abundance of human creativity, culture, and productivity? That are so intelligent and safe, our species leaves an ecological footprint to delight in, not lament?
The real debate about both the horrific inequality in the world and about the terrorism and frightening instability in the world requires analysis of the differences in upset-adaption or alienation-from-soul between individuals, races, genders, generations, countries, civilisations and cultures, but until the human condition could be explained and the upset state of the human condition compassionately understood and thus defended that debate could not take place.
Talk about the area of overcoming adversity, sucking it up, I rate myself a 10.
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