A Quote by Garth Brooks
Why I got into music was James Taylor, so to see him be a real down-to-earth guy that's unbelievably talented... then to hear him sing those lyrics of 'What I'm Thankful For,' which is a song Ms. Yearwood and I got to write together, that was definitely a highlight of my recording life.
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I wrote 'The River' practically trying to rip off every lick that James Taylor had, so it was neat to hear him sing those lyrics because that's who inspired you to write them.
I remember looking at my dad and wanting to understand him. I didn't want to just write the guy off. He was lost. I can't speak specifically in terms of why and how he got to where he was - that was his journey. All I can tell you is, he was overwhelmed by life... My mother basically did all the work, and then they got separated and I didn't see him for a long time. He didn't try to help the family financially or spiritually, and I lived with the effects of the chaos.
You've got to attract interest in your candidate. The problem when you're running far behind is that you've got to move through those positive phases very quickly. Then, you have to draw attention to the other guy. You've got to create interest in why you differ from him and you've got to create a desire to remove him.
I got called to write for Aerosmith, nothing ever came of it, but I ended up spending the day with Steven Tyler and going to his house and we sat down at the piano, just me and him, and he sang for me and played, then he asked me to sing for him, and then we sang harmony together. That was just a big moment where it was like 'oh my god, my life is crazy!' It was really cool.
He's the reason why I write music. If he's reading this - James Taylor, I'd love to work with you! My mom would put headphones on her belly before I was born, so I've been listening to him literally all of my life. When my dad played me 'Walking Man,' I heard those chord changes and that melody, it completely blew me away.
Taylor was named after James Taylor and claims that she knows all the James Taylor songs, and I'm a huge fan of James Taylor and know all his songs, too. My dad told me that if I ever met Taylor Swift, I had to tell her that I know every James Taylor song. We started naming albums, and we were both shouting them out.
Usually I will hear a sample, think of a theme and then it will take me a couple of days to write down some lyrics. Then I will decide that I hate those lyrics and rewrite. Then I will change all the music around. Then I will rewrite all the lyrics again. I am a bit of a perfectionist although you would never know it because all my songs are like chopped up and @#$%& up, but you see that's on purpose.
We've got social media now where we can even create an identity for ourselves and show the world an inauthentic highlight reel version of who we are. But I'm drawn to real, not a highlight reel. The world doesn't need to see another plastic Christian pretending they've got it all together.
I love Monk's song, 'Just a Gigolo.' It's probably a minor song for him, but whenever I hear a recording of him playing it, I'm mesmerized because Monk clearly loved pop music. He took it very seriously and made an amazing thing out of it.
I love Thelonious Monk's song "Just a Gigolo." It's probably a minor song for him, but whenever I hear a recording of him playing it, I'm mesmerized, because Monk clearly loved pop music. He took it very seriously and made an amazing thing out of it.
Well, you know, when you're putting together a show, you've got to be careful not to load it up with the new stuff. We have to play the songs that people want to hear, too. People may come thinking, "Oh, I've just got to hear this song." Or maybe they'll write me a letter saying a certain song is really meaningful to them, so we'll be sure to play those songs.
I never write a tune before the lyrics. I get the lyrics and then I write around them. Some people write music and the lyrics come along and they say, 'Oh yeah, I've got something to fit that.' If that's the way people write songs, I feel like you might as well just go to the supermarket.
Aldo needed to feel McGregor out. Coming right at him ran into McGregor's game. I thought he'd start by taking him down and confuse him a little. Maybe he had all that stuff planned, but one combo, and Aldo got caught. That happens, especially with a guy as talented and precise and full of power as Conor.
I couldn't get a job acting all the time and there were down periods where I could take photographs or paint. I got into a lot of trouble when I was young, from making two films with James Dean, watching him work and then him dying and thinking I could turn down work. There was a big difference, he was a star and I wasn't. So I got in a lot of trouble and was essentially banned from Hollywood.
I got my deal off MySpace.com. I wrote to J.R. Rotem. He is big producer. He's done a lot of stuff for Rihanna, 50 Cent, Britney Spears and etc. I thought, "Yo, this guy is really talented I want to work with him." Once I sent him message he didn't reply back. I kept on sending the messages. I kept on hitting him back like eight times a day. He eventually replied back like, "Yo, I want to hear more music."
I actually got to write with one of my musical heroes, a guy named Raine Maida from Our Lady Peace. I got to sit down and write some songs with him, and that was pretty heavy. I listened to Our Lady Peace growing up. It got me through the teenage angst.
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