A Quote by Gary Rossington

I could write a dozen different songs with the same three or four chords, but they'd all be entirely different. — © Gary Rossington
I could write a dozen different songs with the same three or four chords, but they'd all be entirely different.
With any story I write, I could actually write it from three or four different perspectives, which would end with a completely different moral at the end.
The muse, the beloved, and duende are three ways of thinking of what is the source of poetry, and all three seem to me different names or different ways to think about something that is not entirely reasonable, not entirely subject to the will, not entirely rational.
In truth, it matters less what we do in practice than how we do it and why we do it. The same posture, the same sequence, the same meditation with a different intention takes on an entirely new meaning and will have entirely different outcomes.
The man who has learned that three plus one are four doesn't have to go through a proof of that assertion with coins, or dice, or chess pieces, or pencils. He knows it, and that's that. He cannot conceive a different sum. There are mathematicians who say that three plus one is a tautology for four, a different way of saying "four" ... If three plus one can be two, or fourteen, then reason is madness.
The reason we did 'Land of a Thousand Dances' and 'Gloria' on 'Horses' was because I liked repetitious, three-chord rock songs, but I didn't understand that I could write my own. I didn't realize that you could use those chords a million times.
Sound continues to be a mystery to me, in that one could create infinite songs focusing on the same subject, but depending on the melody, instrument choice, minor or major key, time signature, etc., each song could elicit an entirely different response.
A mockingbird has moved into our neighborhood. It perches atop a telephone pole behind our backyard. Every morning it is the first thing I hear. It is impossible to be unhappy when listening to a mockingbird. So stuffed with songs it is, it can't seem to make up it's mind which to sing first, so it sings them all, a dozen different songs at once, in a dozen different voices. On and on it sings without a pause, so peppy, even frantic, as if its voice alone is keeping the world awake.
By the time I was 19 years old, I had lived in five different cities in four different countries and three different continents.
When we had our first son, four different people gave us the same present: a copy of Ezra Jack Keats' 'The Snowy Day.' A new child often inspires duplicate gifts - we were given a dozen mostly useless baby blankets, just one more thing to spit up on - but this one was different.
I used to print out lyrics from Nas songs and write my own lyrics in the same syllable count but with different words and different rhymes.
Duets is about six people, so it's like three different movies - three different duets. I was on the set 18 days, spread out over three and a half or four weeks.
I think the idea is that every time we perform Big Red Machine music it should be different somehow - like, different people, different songs maybe, definitely different versions of the songs.
My wife has forced me to wear designer jeans, and I find... there must be two or three hundred different kinds of jeans you can wear, all of which are made out of denim and look roughly the same. People are different. They have different tastes, different bodies. Cellphones ought to be the same.
It's hard to be in the limelight and write songs that cater to fans that have expectations of you. We just want to write songs that we love, but all the different people with different ideas coming in make it difficult. We have to ask ourselves if we're writing for the most important people: the fans.
When I was 12 or 13, my dad taught me a couple of different chords, and once I learned chords, I never learned to read music, but I learned tablature, like a lot of kids do, and I learned songs that had the chords I knew. It took me a long time to understand the upstroke of picking and strumming, but once I did, it all fell into place.
'Udta Punjab' is a story of four different people merged together. There are four different stories and four different perspectives.
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