A Quote by Gavin MacLeod
We used two Princess Cruise ships. The Island Princess and The Pacific Princess. They were identical ships.
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Whatever comes," she said, "cannot alter one thing. If I am a princess in rags and tatters, I can be a princess inside. It would be easy to be a princess if I were dressed in cloth of gold, but it is a great deal more of a triumph to be one all the time when no one knows it.
Focus on the princess, not on the problem. You can't marry the princess without killing the dragon. So when you see the dragon, just remember: There's a princess on the other side.
I feel like young girls are told, I don’t know, that they have to be this kind of princess and fragile. It’s bullshit. I identify much more with being a warrior, a fighter. If I was going to be a princess I’d be a warrior princess definitely.
And isn't that, at it's core, what the princess fantasy is about for all of us? "Princess" is how we tell little girls that they are special, precious. "Princess" is the wish that we could protect them from pain, that they would never know sorrow, that they will live happily ever after ensconces in lace and innocence.
How do I play the princess thing? I don't, really. I don't like talking about it much and find it annoying when people say things like, 'Oh, you're the princess.' One of my best friends jokingly says, 'Hi, Princess,' and I say, 'Shut up.' It is one of the things that bugs me most in the world.
'The White Princess' follows Princess Lizzie, who was forced into marriage with Henry Tudor. It's kind of about how their marriage united the Yorks and the Tudors - the two families do rival but have to unite.
I am not a princess, I don't want to be referred to as a princess - I find that super creepy.
Marking the differences between them was really important. It just became second nature. When we were choosing pajamas or something, instantly you'd be able to spot: those are [princess] Margaret, those are [princess] Elizabeth. It became this sort of language, really, of the two sisters.
It was always said you couldn't have two sisters less alike. In a way [princess] Elizabeth was always internalizing everything and [princess] Margaret was always externalizing everything, so that became the basis. The storyline becomes about these two sisters: they're fighting for their position or trying to establish their identity in the world alongside each other and in relation to this establishment which only those two were a part of.
It's been difficult to find roles that are independent, strong, and self-assured; I always say I can't play the princess. I'm not a pretty princess! I'm a tomboy.
If I was going to be a princess, I would be a warrior princess.
I kind of got my big break with 'The Princess Diaries' and during the press rounds for that everyone asked me: 'Did you always want to be a princess growing up?' And the truth was, no I wanted to be Catwoman.
I was too lazy to start a whole new story, so I just stuck a princess into the story I was working on... and The Princess Diaries was born!
Princess,” he whispered against her ear. “My beautiful, beautiful princess. I want to spoil you. Pamper you. Indulge you.
Don’t.” I walked up to him. “If it ever comes down to a situation between me and you, save yourself. I’m not worth dying for.” “Princess, I-” “None of us are,” I said, looking at him seriously. “Not the Queen or any of the Markis or Marksinna. That’s a direct order from the Princess, and you have to follow it. Save yourself.” “I don’t understand.” Duncan’s whole face scrunched in confusion. “But… if it’s as you wish, Princess.” “It is. Thank you,” I smiled at him and walked into the palace.
Oil platforms are a technology for floating permanently on the high seas, and cruise ships are a technology for self-governance on the high seas, and if you combine these two technologies, imagine cruise ships that never dock but float permanently. Imagine if they were 10 times as big. Imagine if they were modular and could move about and you could choose the neighbours you wanted to live with.
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