A Quote by Gelsey Kirkland

There was a stage when Balanchine and I didn't talk. I was trying to develop my classical technique as opposed to the fast-track technique that he was pushing. We were very quiet with each other. But after two years he saw what I was doing and sent messages through other people that, yes, this is good.
I have been 'diving within' through the Transcendental Meditation technique for over 30 years. It has changed my life, my world. I am not alone. Millions of other people of all ages, religions, and walks of life practice the technique and enjoy incredible benefits.
I'm not as a studied, technically, as you might think. My technique has really evolved naturally over the years from watching other guitarists and trying to develop my own style.
I try to show good technique - boxing technique, wrestling technique, jiu jitsu technique.
Technique to me is a kind of a ... I'm reluctant to talk about it because it seems so obvious to me what good technique is. I mean, you sit down, you shut up, and you pay attention is basically the good technique. And then the footnotes add; on an empty stomach, in a dark room, feeling comfortable.
People think this is all about the top players hitting tenins balls and they talk about technique and strategy and how important that is. But they don't understand the essence of competition. This is one-on-one, two players out there fighting each other with everything they have, trying to bring the best out of themselves. And the difference at this level of the game is all in the head and in the heart.
Technique is the basis of every pursuit. If you're a sportsman or you're a singer or a swimmer, well that comes under sport but you have to develop a basic technique to know what you're doing at any given time.
I saw him playing on television and was struck by his technique, so I asked my wife to come look at him. Now I never saw myself play, but I felt that this player is playing with a style similar to mine, and she looked at him on Television and said yes, there is a similarity between the two...his compactness, technique, stroke production - it all seemed to gel!
My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around. I don't have to have too much technique for it. I've developed the parts of my technique that are useful to me. I'll never be a very fast guitar player. I don't really know what to say about my style. There's always a melodic intent in there.
Fundamentally, there are only two ways of coordinating the economic activities of millions. One is central direction involving the use of coercion - the technique of the army and of the modern totalitarian state. The other is voluntary cooperation of individuals - the technique of the marketplace.
One of the things I do tell young women, if they want to pursue a career in acting, is to get good stage training. It is essential to have a good basis in stage technique. You can move into film easily, and acquire more skill and more understanding, but you can't necessarily go the other way around. For women, longevity of career will very much be on stage.
Although most informed balletomanes would place artistry above technique, artistry without a strong technique is a flaccid, bloodless thing indeed, whereas technique without much artistry can still dazzle us in the manner of the circus or sports arena translated to a higher plane. Though the perfect blend of the two elements is the consummation devoutly to be wished, the real enemy of good ballet is not the slight preponderance of one or the other but the prevalence of pantomime--the turning of dance into second-rate theater.
Vipassana is fine until it becomes a technique that has many stages and that takes time to develop. That can be okay for people for a while, but then you have to leave the technique behind.
I used to watch 'The Apprentice' all the time and I thought Bill was a fox. That was that, we didn't see each other for years, and then we saw each other and 45 minutes after the cameras stopped rolling, we were still talking.
Focusing totally on technique, you lose the essence and power of simplicity... The other extreme is just as bad; you see it in a lot of Modern works, where the concept is more important than the technique, resulting in very poor craftsmanship.
Technique is the basis of every pursuit. If youre a sportsman or youre a singer or a swimmer, well that comes under sport but you have to develop a basic technique to know what youre doing at any given time.
I think sometimes when people start doing improv there's some regression towards trying to replicate the "good" improvisers that they've read about in their improv books or heard about from their teachers. That's understandable, because they're trying to learn technique and stuff, but I actually think that my favorite performers are ones who have unique improv technique but also have a unique point of view that you can feel with them and their performances.
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