A Quote by Gene Luen Yang

I've tried to write from my own understanding of identity in all my comics, whether it's about superheroes or historical conflicts or monkey gods. — © Gene Luen Yang
I've tried to write from my own understanding of identity in all my comics, whether it's about superheroes or historical conflicts or monkey gods.
There is a very diverse range of superheroes, especially with the Firestorm character. In the comics, there is a black Firestorm. But we still don't see that many black superheroes. So what The CW is doing and what DC Comics is doing with this whole universe with diversity is absolutely amazing.
I think it's possible for anybody to write what they want to write - superheroes, historical, period drama, 'Game Of Thrones' - it's just how you chuck yourself into it that counts. And do your research.
The problem for me is that 'Watchmen,' one of the great comics of all time, is a look at superheroes that has gone beyond the concept of or necessity for superheroes.
You can't really discover the most interesting conflicts and problems in a subject until you've tried to write about them. At that point, one discovers discontinuities in the data, perhaps, or in one's own thinking; then the act of writing forces you to work harder to resolve these contradictions.
We all know about the big world conflicts: Israel and Palestine, Zimbabwe, and so on. But there are smaller conflicts that aren't even on the world's radar screen; most of the world has no idea that Ethiopia invaded Somalia a year ago. It makes sense for the Elders to sit down with both sides and see whether leaders can come to an understanding.
I've always hated superheroes. I cannot stand them. I love Norse mythology, but I hate superheroes. They ruined movies, then comics, and now games.
I think supporting casts in comics are missing. I think a lot of the time in comics, all we have are people in costumes talking to other people in costumes, superheroes talking to superheroes and supervillains, and that's it.
You view the gods as entities without," Montolio tried to explain. "You see them as physical beings trying to control our actions for their own ends, and thus you, in your stubborn independance, reject them. The gods are within, I say, whether one has named his own or not. You have followed Mielikki all your life, Drizzt. You merely never had a name to put on your heart.
If you write a book set in the past about something that happened east of the Mississippi, it's a 'historical novel.' If you write about something that took place west of the Mississippi, it's a 'Western'- and somehow regarded as a lesser work. I write historical novels about the frontier.
When you think of all the conflicts we have - whether those conflicts are local, whether they are regional or global - these conflicts are often over the management, the distribution of resources. If these resources are very valuable, if these resources are scarce, if these resources are degraded, there is going to be competition.
Conflicts are never caused in any simple way by identity, culture or economics. Where resources are scarce, or there are strong historical memories of conflict, small events are more likely to inflame passions.
I don't need to write comics for a living. I have movies and TV for that. I write comics for one reason and one reason only: I love comics. I love the form, the structure, the storytelling process, I love everything about it.
I'd quite like to write a book about comics, actually. But trying to write about comics as literature, which I don't think anyone's really done before. Sometimes they're more like fan books, and I'd quite like to write one about the Marvel universe over the last 50 years. It's an unprecedented achievement to create that length of continuity.
I didn't write superheroes for the first 10 years of my comic career. I was just doing fan fiction. I wasn't thinking about superheroes at all, even though I loved them. I was raised by Watchmen and Dark Knight, so I was raised in with it's all been done, they don't worry about that.
I tried to draw and write comics when I was four. By the time I was nine, I had written my first story - about my dog, of course.
Men create their own gods and thus have some slight understanding that they are self-fabricated. Women are much more susceptible, because they are completely oppressed by men; they take men at their word and believe in the gods that men have made up. The situation of women, their culture, makes them kneel more often before the gods that have been created by men than men themselves do, who know what they've done. To this extent, women will be more fanatical, whether it is for fascism or for totalitarianism.
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