A Quote by Gene Luen Yang

For 'American Born Chinese,' my first graphic novel with First Second Books, I did mostly 'memory' research. It's fiction, but I pulled heavily from my own childhood.
Anyway, several rewrites later, Del Rey Books did publish my first novel, and it did become the first work of fiction on the New York Times trade paperback bestseller list.
'Diary of a Teenage Girl' was my first American movie. It was my first movie in an American accent. It's based on a graphic novel, which was written in 2002 by someone called Phoebe Gloeckner. It was turned into a play by Marielle Heller, who then wrote it as a screenplay for Sundance Labs.
I am, incidentally, the only writer to have received the Somerset Maugham award twice - the first time for my first novel, the second time for my second first novel.
This is a profession for me, but I started off as a self-publisher working on my own schedule and my own stuff before moving on to graphic novels with First Second Books, where there was definitely a schedule, but it was very different from monthly comics.
In the century-long history of Chinese science fiction, apocalyptic themes were mostly absent. This was especially true in the period before the 1990s, when Chinese science fiction, isolated from the influence of the West, developed on its own.
The disappointing second novel is measured against the brilliant first novel - often no novel lives up to the first. Literary improvement seems like an unfair expectation.
Just looking at pictures used to be considered cheating. No longer. The graphic novel is booming. Comics, heavily illustrated texts, books with no words are now accepted as reading.
'Just looking at pictures' used to be considered cheating. No longer. The graphic novel is booming. Comics, heavily illustrated texts, books with no words are now accepted as reading.
The Chinese, on the other hand, were in the position of having an American military spy plane on a Chinese military base and they had their own internal problems to deal with. At first, the Chinese weren't all that belligerent. They were just stalling to get their own bureaucracy in line.
I remember being interviewed about my first novel, 'The Colour of Memory.' They kept using the expression 'your first novel,' and I said, 'No, I object to that phrase, because this is it for me.'
I have to read comic books all first, because now when you get into graphic novels, they are definitely in deep graphic.
It's more like I write multiple first drafts, handwritten. So with my first novel, I wrote whole drafts from different points of view. There are different versions of that novel in a drawer on loose-leaf sheets. I won't even look at the first draft while I'm writing the second, and I won't look at the second before writing the third.
There's the fact that American fiction is basically the most apolitical fiction on the globe. A South American writer wouldn't dare think of writing a novel if it didn't allude to the system into which these people are orchestrated - or an Eastern European writer, or a Russian writer, or a Chinese writer. Only American writers are able to imagine that the government and the corporations - all of it - seem to have no effect whatsoever.
When I first began to write fiction, I didn't think I was a comic writer; I thought I was a serious writer. I was surprised when the first novel I wrote was regarded as a funny novel.
Arthur Clarke says that I am first in science and second in science fiction in accordance with an agreement we have made. I say he is first in science fiction and second in science.
I knew from previous books not to count on anything in terms of sales. My first novel - -The Raven's Bride, about Sam Houston's disastrous first marriage - -sold well and got attention, but my second book - -Promised Lands, about the Texas Revolution - -didn't.
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