A Quote by Gene Wolfe
The same authorities who insist upon beginnings, middles, and ends, declare that Great Literature (by which they mean the stories they have been taught to admire) is about love and death, while mere popular fiction like this is about sex and violence. One reader's sex, alas, is another's love; and one's violence, another's death.
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All the great Shakespeare plays are about killing. Alas, poor Yorick, that's about death. And in Romeo and Juliet everyone up ends up dying. The greatest dramas in the world are all about sex, violence and death.
All the great Shakespeare plays are about killing. 'Alas, poor Yorick,' that's about death. And in 'Romeo and Juliet' everyone up ends up dying. The greatest dramas in the world are all about sex, violence and death.
There have been only two taboos in the world: sex and death. It is very strange why sex and death have been the two taboos not to be talked about, to be avoided. They are deeply connected. Sex represents life because all life arises out of sex, and death represents the end. And both have been taboo - don't talk about sex and don't talk about death.
It's not an anti-sex trip. Like, we're taking sex, which is probably another half of American entertainment, sex and violence, and we're projecting it, and we're saying this is the way everything is right now.
I try to write lyrics so that they won't age, which sort of leaves you with the big subjects like death and love and sex and violence.
Abortion occurs so frequently in my stories. Abortion sort of synthesizes both sex and death. To have sex and death placed as close to one another as possible is always a goal of mine.
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development.
As for sex, well, I mean sex is a perfectly respectable subject as far as Shakespeare is concerned. I mean, all history is love and violence.
The greatest dramas in the world are all about sex, violence and death.
There is another side to death. Whether death happens through an act of violence to a large number of people or to an individual, whether death comes prematurely through illness or accident, or whether death comes through old age, death is always an opening. So a great opportunity comes whenever we face death.
I think death and sex go together. If you shoot about sex in a funny way, it's different. But when you are doing sex in a serious way, death is always around.
In your thirties, you're much more comfortable with sex. First of all, sex is something you've done more. You know you can have sex just to have sex; you can have sex with friends; you can have sex with people you love; you can have sex with people you don't like, but the sex is good. And you can joke about sex much more.
Non-violence confronts systematic injustice with active love, but refuses to retaliate with further violence under any circumstances. In order to halt the vicious cycles of violence, it requires a willing acceptance of suffering and death rather than inflicting suffering or death on anyone else.
We tried to make a movie that had sex and violence because we like sex and violence.
Literature is love. I think it went like this: drawings in the cave, sounds in the cave, songs in the cave, songs about us. Later, stories about us. Part of what we always did was have sex and fight about it and break each other’s hearts. I guess there’s other kinds of love too. Great friendships. Working together. But poetry and novels are lists of our devotions. We love the feel of making the marks as the feelings are rising and falling. Living in literature and love is the best thing there is. You’re always home.
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