A Quote by Gene Kelly
I had been asked to open a nightclub in Atlantic City. They offered me a ridiculous amount of money. They literally overpaid me. So I did one show a night. Then they asked me back by popular demand. So I went back. Then I said, "To hell with this." I was only doing it for the money, and I was doing easy routines. It's just too much work to get up every day and practice.
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Somebody told me that if you wake up every day and do stuff that's easy, then you're doing the wrong thing. If you wake up every day and do stuff that's really hard and you manage to get through to people, then you're doing the right thing. They might have just fooled me by telling me that, but it worked. I think that's my philosophy.
After the fire, when I'd tried to express my gratitude for their kindness to our customers, they'd been awkward, uncomfortable. My father had had to explain to me that giving thanks is not a common practice in India. 'Then how do you know if people appreciated what you did?' I'd asked. 'Do you really need to know?' my father had asked back.
The number of Pelosi allies who have come to me and told me to back off, that I'm not doing the right thing, is exactly zero. The number of members of the caucus who voted for her, who have checked to see who was listening and then patted me on the back and then said, 'Keep going Seth, you're doing the right thing,' is literally dozens.
Then I contacted Ken, then he called me back, then we had a great meeting. Then he called and asked if I would come back to the show. Which was awesome.
At the beginning, you are 20 and you can just imagine... don't get me wrong, but having money. Then you realise that it's not only about you and what you are doing but that you have to give back.
I started to have panic attacks on stage and my wife just asked, "Why don't you just stop?" I was doing Ghost Whisperer at the time so I was making enough money where I could put it away and she said, "Then, when you go back, you just go up and tell the truth." And it's a lot more tiring.
Yes?" she asked, eyeing me guardedly. I struck out a hand and said "Shake." Arra stared at the hand, then into my unfocused eyes. "One good fight doesn't make you a warrior," she said. "Shake!" I repeated angrily. "And if I don't?" she asked. "I'll get back up on the bars and fight you till you do," I growled. Arra studied me at length, then nodded and took my hand. "Power to you, Darren Shan," she said gruffly. "Power," I repeated weakly, then fainted into her arms and knew no more till I came to in my hammock the next night.
I was just burnt out. I didn't like the music business and I didn't like me. There's an element of falseness about the whole thing. Even things like doing an interview. It's not as though we just met in the pub and are having a chat - it's part of a process. If you do it all day, every day for years, you end up thinking: 'Who the hell am I?' I was lucky enough to make some money, enough to let me kick back. It was a great experience and it was nice to have a couple of No.1s but the best thing about it was that the money I made allowed me to have freedom and choice in my life.
I never even thought about being an actor. Somebody asked me if I'd like to learn the craft, and I said, 'Okay.' I was a gymnast in a show at that time, and somebody asked me afterwards one night. I performed as a gymnast for nine years, and then I did acting after that.
When I did Sean Penn’s movie, I think I was living in, like, a $500-a-month room, and someone called me up or bumped into me and asked me if I’d come up to work for a day. That sort of got me going a little bit. But it wasn’t until Sin City [2005] that I kind of got back into the game.
I was at an autograph show, and there were a lot of people from TNA there doing meet and greets. One of the girls from TNA there asked me why I hadn't joined yet and I said I'd tried and it didn't work out. She asked me to give her a video and pictures, and a few days later I got asked to do a tryout.
I had just been doing graffiti around New York and this real estate investor guy had walked through meat packing in New York and saw some of my graffiti. He was impressed and asked if I sold canvases. I really had not made any canvases of my graffiti work yet, but told him I could make one for him. He then commissioned me to make ten paintings and put on my first art show. Between the sold out show and the cops chasing after me it created a lot of media and I've been doing really well since then.
Shortly after I met my mentor he asked me, ‘Mr. Rohn, how much money have you saved and invested over the last six years?’ And I said, ‘None.’ He then asked, ‘Who sold you on that plan?’
I don't even know how much money I've spent on all of this stuff... Just in plates and bars alone, it's literally a ridiculous amount of money I've spent on those. And to me it doesn't matter. It's money that I've gladly spent.
I found myself doing extraordinary things that arent in the textbooks. Then the IMF asked the U.S. to please print money. The whole world is now practicing what they have been saying I should not. I decided that God had been on my side and had come to vindicate me.
Happy". I had not heard that word since Mr. Milgrom spoke it at the last Hanukkah. I asked him the question that had been on my mind since then. "Tata, what is happy?" He looked at me and at the ceiling and back to me. "Did you ever taste an orange?" he said.
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