A Quote by George C. Wolfe
The rules I sort of live by for my theater career, which I hope to live for my film career, is that if there's something that intrigues me or fascinates me, or I don't know how to do it, then I should do it.
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For me, 'Sultan' was like a resurrection. I think my career was almost dead. You go through these lows and highs in life, especially in a film career and you live with your chin up.
The reason I live in America is because I mean literally every six or seven years I've done something in England. The last lead I had in an English film I did was 1998. So that's why I live here. It's because I get more work. I'll travel back for radio, you know what I mean. I've just got to consider myself to be living in the middle of the ocean, and that way I have a really nice career, if I'm prepared to do television, radio, theater, and film.
Film, theater and television always kind of scared me. I don't ever seriously think of myself as an actor at all, and I don't plan any film career or television career.
I was very lucky to find a career which let me travel, sourcing stores in other countries, just the opportunities of the career in design and finance and all the things that make retailing - my career - interesting to me. That's why I started looking at community responsibility. I felt I should give of myself.
At which point should we let go and do what we want to do, and when should we submit to rules? Coming to terms with our true natures and who we really are has always been a fascination to humans. I know it fascinates me.
It's important that a film is loud and I hope many people agree. You should be inside of a film when you go into a theater. It should surround you, envelope you, so you can live inside a dream.
The old forms of entertainment are not extinct. Live performances are the pinnacle. If you can something that people want to see live, then you have a great career.
I didn't know how story worked. So, when writing the screenplay, people introduced me to the science of it. And I'm grateful. I'll probably use that information for the rest of my career, in terms of writing novels or writing stories. And then, of course, to help me live a better story, a more meaningful story
I won an award for my debut film. However, my career went up and down after that but I kept getting work. I did whatever excited me and did not think which role or film will change my career.
Just let me do what I'm doing, and then when all of this is up, then you can say how my career was. Don't try to sum up my career in one or two seasons. Let me finish it first.
The glamourous aspect of my career began with 'Shaher ki ladki,' which is how I sort of restarted my career.
I started making houses for ants because I thought they needed somewhere to live. Then I made them shoes and hats. It was a fantasy world I escaped to where my dyslexia didn't hold me back and my teachers couldn't criticize me. That's how my career as a micro-sculptor began.
You know, my career hasn't exactly been the sort of thing that usually happens to film composers, but I sure am glad it happened to me.
I was in Korea. I've noticed all my life I see elderly people who have been close to death in an illness and they're absolutely cured and they say, now I know how to live my life. I've seen death. That happened to me when I was 19. It was a terrible, terrifying thing. And I live my life like those people decided to do when they were old. So, since I was 19, I've had the most fun possible every single day, even when I had a rough life. It was the army which taught me about life, and the theater which taught me how good it could be.
I'm not a preacher and I'm not a pastor. But I really feel my career was leading me to make this. The Holy Ghost was working through me on this film, and I was just directing traffic. I hope the film has the power to evangelize.
My film career was always to support my theater career.
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