A Quote by George Orwell

In a town like London there are always plenty of not quite certifiable lunatics walking the streets, and they tend to gravitate towards bookshops, because a bookshop is one of the few places where you can hang about for a long time without spending any money.
Pittsburgh isn't fancy, but it is real. It's a working town and money doesn't come easy. I feel as much a part of this city as the cobblestone streets and the steel mills, people in this town expect an honest day's work, and I've it to them for a long, long time.
By the time we hit the streets they were silent and closed in on us, and they had assumed the Nonchalant Look, an expression that said, I am not a nurse escorting six lunatics to the ice cream parlor. But they were, and we were their six lunatics, so we behaved like lunatics.
Wealth is walking into any bookshop and buying any book you want without looking at the price tag.
I despair of ever getting it through anybody's head I am not interested in bookshops, I am interested in what's written in the books. I don't browse in bookshops, I browse in libraries, where you can take a book home and read it, and if you like it you go to a bookshop and buy it.
I left school December of 1988. I was 21 at the time. And I hadn't quite finished my degree because I had done eight semesters, not understanding that I was going to have to finish the degree without the TAPP and Pell grant money that I had been using towards paying for much of my college tuition. And I didn't have any money. So I said, "Alright." And circumstances there were such that I thought it was maybe time to move on anyway.
I've always been a city person - London boy - and New York is just incredible. It has what London has but almost more in terms of variety, culture, social life, everything. I just like walking the streets and feeling the energy and the vibe.
I'd already started directing short films when we were doing 'Lord of the Rings,' then videogame projects. So Peter's known that I've been heading towards directing for a long time. But I always thought my first outing would be a couple of people and a digital camera in the back streets of London somewhere!
If a betting game among a certain number of participants I played long enough, eventually one player will have all the money. If there is any skill involved, it will accelerate the process of concentrating all the stakes in a few hands. Something like this happens in the market. There is a persistent overall tendency for equity to flow from the many to the few. In the long run, the majority loses. The implication for the trader is that to win you have to act like the minority. If you bring normal human habits and tendencies to trading, you'll gravitate toward the majority and inevitably lose.
You see in the streets of London, great and little boys running about in long blue coats, which, like robes, reach quite down to the feet, and little white bands, such as the clergy wear.
It's actually as simple as this. New authors, building their customer base, need physical bookshops. Physical bookshops are lovely tactile, friendly, expert, welcoming places. Physical books, which can only be seen and handled in physical bookshops, are lovely, tactile things. Destroy those bookshops, and the very commercial and cultural base to the book industry is destroyed. Once and for all. Like Humpty Dumpty, it can never be put together again.
London has the trick of making its past, its long indelible past, always a part of its present. And for that reason it will always have meaning for the future, because of all it can teach about disaster, survival, and redemption. It is all there in the streets. It is all there in the books.
The streets, at least in this part of town, seemed impossibly clean in comparison to London. The public telephones were unvandalised. For a London telephone booth to look like that it would have to be guarded around the clock by the SAS.
Because there is nothing I would rather do than rummage through bookshops, I went at once to Hastings & Sons Bookshop upon receiving your letter. I have gone to them for years, always finding the one book I wanted - and then three more I hadn't known I wanted.
Inspiration is around you. Like, when I travel any country, be it Paris or London, while walking on the streets, the architecture, the restaurants all inspire me. Inspiration for design could be anywhere.
That's been one of the best things about doing 'Game of Thrones.' My social circle in London has more or less doubled just by doing it because nearly everyone is based in London. And I hadn't long moved to London before doing it, so it's been really great in terms of meeting people to hang out with while I'm there.
A child sees everything, looks straight at it, examines it, without any preconceived idea; most people, after they are about eleven or twelve, quite lose this power, they see everything through a few preconceived ideas which hang like a veil between them and the outer world.
This site uses cookies to ensure you get the best experience. More info...
Got it!