A Quote by George Pelecanos

After college, I spent a decade working the kinds of jobs that I write about - bartender, shoe salesman, kitchen man - while voraciously reading novels. — © George Pelecanos
After college, I spent a decade working the kinds of jobs that I write about - bartender, shoe salesman, kitchen man - while voraciously reading novels.
When I got out of college I worked for DC comics. I worked on staff there and I also freelanced for them for about a decade. I spent two years on staff as an editor right out of college. I'm from Los Angeles and I came back here after a couple of years in New York, to go to Graduate School at USC. I wasn't thinking specifically about animation although while I'd worked at DC.
I sold my first short story while I was home on maternity leave, then began working on novels. Since I was reading and enjoying romance novels at the time, the first two unpublished manuscripts I wrote were both romances. I sold my third novel, 'Call After Midnight,' to Harlequin Intrigue after submitting it unagented.
I worked at Starbucks, I was a waiter, a bartender and a valet, sometimes working 2 to 3 jobs at a time while getting a lot of 'no's' as an actor.
To justify being listened to, I try to be as well informed as I can. Hence, the travel. Reading is good too. Reading gets you part way there, and I do read pretty voraciously for a guy who's trying to write so much.
I feel lucky. I do love it, mostly. At college I had it in my heart that I wanted to be a writer but I didn't want to tell anyone about it. Then I graduated and became a bartender in Philadelphia, writing during the day. I was the worst bartender in the world.
I love reading all kinds of books. I usually have about ten books going at any one time - books about the past, the present, novels, non-fiction, poetry, mythology, religion, etc. Reading is my favorite thing to do.
I'm not reading any novels right now, though not for lack of trying. Unless they're really good, my attention in most novels tends to sputter out after a hundred pages or so - an awful admission for someone who is trying to write one, but it's true.
The main problem of America is that you're seeing people working all over this country two jobs, they're working three jobs, and they're getting nowhere in a hurry. They're working hard. They can't afford to send their kids to college in many instances. They can't afford child care for their little babies. They're worried to death about retirement.
I struggled with being a broke college graduate, and while all my friends were getting career jobs, I was working horrible part-time jobs. That's why now, even when I get tired, I think, 'This is what I asked for.'
From 1965 to 1974, I served the best possible apprenticeship for an actor. I learned firsthand how a truck driver lives, what a bartender does, how a salesman thinks. I had to make a life inside those jobs, not just pretend.
Very early on, when I was in my twenties, Steve Jobs convinced me to quit college. He talked to me after I had spent about a year in Michigan studying the history of art.
The theatre has always been voraciously omnivorous. Dramatists have always raided every medium to find grist to their mill: myths, folk tales, newspapers, novels, films, works of art of all kinds.
I naively chose a college that was almost as expensive as Stanford, and all of my working-class parents savings were being spent on my college tuition. After six months I couldn't see the value in it. I had no idea what I wanted to do with my life and no idea how college was going to help me figure it out.
I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
A literary agent is nothing but a cheap salesman (or woman); while a writer is a cheap salesman (or woman) who also has to actually write the books.
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