A Quote by George R. R. Martin

The prejudice is still there, but it's breaking down. You have writers like Michael Chabon and The Yiddish Policemen's Union. He's a writer who's determined to break down genre barriers. He's done amazing things.
Michael Chabon has long moved easily between the playful, heartfelt realism of novels like 'The Mysteries of Pittsburgh' and 'Wonder Boys' and his playful, heartfelt, more fantastical novels like 'The Amazing Adventures of Kavalier & Clay' and 'The Yiddish Policemen's Union.'
Despite all the boosterish talk of globalization breaking down barriers, most writers in Anglo-America are still working within the nationalist assumptions of their traditionally powerful societies.
I definitely see the genre opening up a lot more. I don't know if black people don't want to get into country music or what, but I feel like we're breaking down barriers.
Luckily for me, most of my work is through a brand or client who approaches my agent. Before I began modeling, I never realized how many barriers there were for people with disabilities within the industry. I didn't realize how much prejudice and ignorance existed. That made me even more determined to break down the barriers and to wake up the industry to the fact that beauty shows up in all different shapes, sizes and abilities.
2012, I feel like I was still grinding. It was a good year for me, but that was my year breaking down the barriers. It was like my introduction.
I'm now much more excited about genre distinctions. What I still see breaking down are more the hierarchical arrangements of genres. That is, "There is literary fiction, and then there are lesser genres." I'm much more clear on the idea that literary fiction is itself a genre. It is not above other genres. It is down there in the muck with all the other genres, and it's doing the wonderful things that it does, but to give it a Y-axis, to make it high and low, just seems absurd. I stand by that.
I grew up reading genre writers, and to the degree that Eric Ambler and Graham Greene are genre writers, I'm a genre writer.
I abandoned my second novel completely. Writing 'Kavalier & Clay,' I had several moments of utter collapse. Same with 'The Yiddish Policemen's Union.'
Poetry restores language by breaking it, and I think that much contemporary writing restores fantasy, as a genre of writing in contrast to a genre of commodity or a section in a bookstore, by breaking it. Michael Moorcock revived fantasy by prying it loose from morality; writers like Jeff VanderMeer, Stepan Chapman, Lucius Shepard, Jeffrey Ford, Nathan Ballingrud are doing the same by prying fantasy away from pedestrian writing, with more vibrant and daring styles, more reflective thinking, and a more widely broadcast spectrum of themes.
The Sixties was a time of breaking down class barriers, although I think class still exists today in some areas.
The only way to really change perceptions, to break down barriers, break down homophobia, is through representation. That's definitely not something I had as a kid. I never saw a gay athlete kissing their boyfriend at the Olympics. I think if I had, it would've made it easier for me.
I try to support groups that are about educating people about different races, different religions, different cultures and different situations so that we can break down the barriers of prejudice and bigotry.
I often wonder whether Negroes like myself who are pretty well known help out at all in breaking down barriers.
I try to build up people, not break them down, and in politics, it seems now the game is breaking down your opponents.
I've always wanted to do a video of me following a girl down the street. Michael Jackson's done it. Omarion's done it. All these male pop artists have followed women down streets in videos - it's kind of the classic thing. And I was like, there is no video of a girl following a girl down the street. I need to do this at some point in my life.
I think there are some writers - like, if you read Kerouac, I think you probably need to take a little break before you sit down to the typewriter because he's the type of writer whose voice infects you.
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