A Quote by George Saunders
I'm always aware of writing around things I can't do, and I've come to think that that's actually what 'style' is - an avoidance of your deficiencies.
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Little Wing is like one of these beautiful girls that come around sometimes ... you play your gig; it's the same thing as the olden days, and these beautiful girls come around.. you do actually fall in love with them because that's the only love you can have. It's not always the physical thing of "Oh, there's one over there ...", it's not one of those scenes. They actually tell you something. They release different things inside themselves ... "Little Wing" was a very sweet girl that came around that gave me her whole life and more if I wanted it.
I mean, as long as it doesn't have a bra attached, guys can take a risk and wear stylish things that went out of style 30 years ago. As things go around, they come around.
I'm always writing something. There's always some structure sitting around someplace. There's always things on the computer, things scratched on score paper, legal tablets full of lyrics. It's never not buzzing around me all the time. I'm always doing it.
In the greatest art, one is always aware of things that cannot be said. . .of the contradiction between expression and the presence of the inexpressible. Stylistic devices are also techniques of avoidance. The most potent elements of a work of art are, often, its silences.
My writings are an exploration, and I think a lot of writers would tell you this, but in writing, you're not simply putting down things that are already known to you. You're actually discovering in the writing process, you're actually creating knowledge.
I think one probably absorbs things like a sponge and things emerge without your always being aware of it.
Publishing a book is a great thing, and I'm grateful, but it's also a horrible, exposing thing. Once you've published a book, you never write quite as freely again. You're aware, from that point onward, of the kinds of things critics might say about it. You're aware of the kinds of things your publishers might like and dislike about it. You're half-aware of marketing strategies - of all the stuff around the book. Whereas with your very first piece of fiction, if you're lucky, those things barely occur to you at all.
I'm here to get the story on to the page. It would be good to catch your attention, and I have to make you want to read on, and I suppose I prefer you don't actually think about the 'how' at all - the writing technique, the 'style', or even who it is that's putting this together.
I think what you do is, you keep your sensors open. And it's - the more that you do the job, the more you come to understand in a kind of intuitive way that you're always - you know, your radar is on. And the thing is going around and around and around. And it's not picking up any blips.
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
I just have to come clean and admit I am an extremely, painfully slow writer. I have this unfortunate - or fortunate, I'm not sure which is correct - habit of editing while I'm writing which everyone tells me that I shouldn't do that. But that's just the way I write and I think it's important to stay true to your own writing style and momentum.
Be aware of who in your life is actually interested in hearing you discuss your writing, and who's just asking to be polite. Listening to writers talk about their work is often excruciatingly dull.
For me, fantasy has always been a means of exploring reality: it explores the fact that your internal life, your dreams and the weird images and the things that come to you are things that are actually important tools for dealing with real issues.
I always think to myself that if I was able to transition from lucha libre style to American style, then I can always go back. You never lose your roots.
I always think it's a mistake when you actually have to set books aside and actually sit down and research something. I always think they've got to come from within.
I always hope to come up with a style of writing that's appropriate to the material and I felt like this was. And then there's plenty of - I don't know if it's the right word but - lampooning, but it's always at my expense.
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