A Quote by George Thorogood
Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.
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I've never seen a truly great fighter get knocked onto the ropes unconscious... knocked out cold before... and I saw Roy Jones get knocked out twice in a row.
That was the best part of the Pride guys - they'd go out and entertain. They'd either get knocked out or knock somebody out; they were always trying to finish the fight.
They knocked out Bernie [Sanders] as they would have knocked him out, like [Barack] Obama if he came into office. So I don't think the Democratic Party is going to solve it for us.
When you have a fighter who's been punched a lot and been knocked out a lot of times, they're not going to be able to recover. They're going to look like they were knocked out.
And at the time, for one of the few times in my life I didn't have a band, I just had myself and the guitar, so I was going to have to do something with just my voice, just the guitar and just my songs that was going to move someone enough to give me a shot. So I wrote songs that were very lyrically alive and lyrically dense. And they were unique, but it really came out of the motivation to - or I understood it was - I was going to have to make my mark that way.
When The Who first started, we were playing blues, and I dug the blues and I knew what I was supposed to be playing, but I couldn't play it. I couldn't get it out. I knew what I had to play; it was in my head. I could hear the notes in my head, but I couldn't get them out on the guitar.
I got knocked down. Anybody could be knocked down, anybody can be knocked out, but it's not what happened, but what happens next.
Back when I was in high school, I came out onstage with my guitar and had four guys playing behind me. We were just playing a dance, but I was standing in front of an audience rocking out. I'm still rocking out like when I was a kid. I haven't changed.
No. The answer was no, I was not all right. I nearly got knocked out. Knocked out by desire! Desire for forbidden dissimilar molecules
I was once knocked out by a Mexican bantamweight - six of my pals were swinging him around by his heels at the time.
When I was younger, my sister thought it was funny to pretend to punch me in the face because my mom was concerned about my teeth falling out. They were loose for a long time, and she knocked out my teeth.
I think I was scared of the drag thing, as a lot of gay boys are. It's sort of knocked out of you in junior high. I wouldn't find guys who were very feminine attractive. Then, doing 'Hedwig,' I got to be man and woman, really butch and really femme at the same time, and I realized, this is kind of the ideal.
Rock 'n' roll guitar came from blues guitar. It was the blues guys who first turned the amp up and started whacking on the Stratocaster and a Les Paul. It wasn't the country guys and it wasn't the white guys; it was the Blues guys. That's where the real fire is in all of this rock and roll music.
I wanted to know why people follow rules blindly, or why girls had to act a certain way and boys didn't. Why could boys ask girls out and girls not ask guys out? Why did girls have to shave their legs and guys didn't? Why did society, like, set everything up the way they did? My whole adolescence was full of unanswered whys. Because they never got answered, I just kept lighting fires everywhere - metaphorically speaking.
When I came to The Moody Blues, we were a rhythm and blues band. I was lousy at rhythm and blues - I think the rest of us were.
I don't know if it was related to the type of music that we were doing at that time or what, but Todd Cook actually just turned to me and was like, "You know what would be a great name for a metal band? Dead Child." We talked half-jokingly that we were going to do a band. I guess as time went on, I started writing songs that were more metal sounding, and it just evolved from there. It actually started with the name first, and then the songs came second.
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