A Quote by Gerard Malanga
The nature of photography has always resisted that temptation of interpretation. I look, and what I see looks back at me.
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If we know anything about man, it's that he's not pacific. The temptation to butcher anyone considered undesirable seems to be a common temptation, not always resisted.
It's funny: when you make a film, you always look back, and there are always crucial decisions that get made. You look back, and at the time they don't seem like it, but you look back, and you see they were absolutely fundamental.
All technical refinements discourage me. Perfect photography, larger screens, hi-fi sound, all make it possible for mediocrities slavishly to reproduce nature; and this reproduction bores me. What interests me is the interpretation of life by an artist. The personality of the film maker interests me more than the copy of an object.
I collect art on a very modest scale. Most of what I have is photography because I just love it and it makes me happy and it looks good in my home. I also have a pretty big collection of art books mainly, again, on photography. A lot of photography monographs, which is great because with photography, the art itself can be reproduced quite well in book form.
Before Jem looks at anyone else he looks at me, and I’ve tried to live so I can look squarely back at him.
It's shot by Ben Rayner who I think is very talented at doing portrait photography as well as fashion photography. His images never look like a model. You know, it doesn't look like a faceless model just wearing whatever. There's always personality that comes through. That was quite important for me to capture.
I chose makeup over photography because there was something very sensual about makeup that I loved. But photography was always in the back of my mind. That was always something that I was very connected with: looking at magazines, enjoying photography, and then taking pictures myself when I was a kid.
If art is the poetic interpretation of nature, photography is the exact translation; it is exactitude in art or the complement of art. (1854)
I've always been interested in people that you wouldn't see otherwise. If you look back at my books, photographs, and films-and since I'm doing this retrospective I've been forced to look back-the work is always about a small group of people who are somewhat isolated, and who you would never see if I didn't film or photograph them.
To know Pritkin was to want to kill him, but so far I'd resisted temptation.
I think that's why Meryl Streep is working so much, because she looks like a woman we can all relate to. I look at her and I think, 'I'm chasing my kids, I've moved my parents in with me, I'm coping with food spills - that looks like me in real life'. Meryl looks like an unmade bed, and that's what I look like. To me, that looks true.
The world always looks straights ahead; as for me, I turn my gaze inward, I fix it there and keep it busy. Everyone looks in front of him: as for me, I look inside me: I have no business but with myself; I continually observe myself, I take stock of myself, I taste myself. Others...they always go forward; as for me, I roll about in myself.
As first and foremost a character actor, I've always resisted the temptation to cure any of the people I've played or make them lovable in any way; you've just got to celebrate them for what they are.
I've dyed my hair a million times and it looks terrible, always. It just looks fake. And it doesn't make me look that much younger.
There is a temptation in politics to look for simplistic slogans and to play the game in a way that looks like you're a savvy politician.
I used to look back at pictures and cringe but actually I'm quite proud that I've had fun with fashion and don't always look perfect. The only regret I have is when I look at something I wore when I was very young and it obviously looks like it belonged to someone else.
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