A Quote by Gerard Way

'Watchmen' is a politically charged story, and it explores exactly what a hero is, how the world would treat them and how they would react. It was the first time I read a superhero story that explored that situation. These are very real people with very real problems.
I've always wondered what it would be like if the Messiah, or Christ Returned, were actually alive and living in our society; who would that person be, how we would identify them, how would they live and what would they believe in, how would society react to them? I decided to try and tell my idea of that story.
What I love about our show is that it's so nuanced and feels very real to me. I think how it explores creativity in general is very real.
Writing a story is pretty all-consuming for me - it feels a lot like method acting, and for the eight or twelve or fifteen months that I'm working on a story, I'm constantly thinking about how my narrator would react to whatever tangled situation I'm in.
I had wanted to be a novelist for so long, but I didn't have a story. That story came from the death of my father, and wrestling with how to help my mother. Writing it allowed me to work through my fears, frustrations and desires. I wanted control over the situation. And I wasn't sure I would have any in real life.
For people who are coming out of an oral tradition, it is very exciting to get into reading and writing and it is quite interesting how frequently people want to write their own story. Sometimes it is straight history - this is how we came about, how our town was created, a lot of that kind of effort, as soon as literacy came. The first thing you wanted to do was to put something down about who you are or how you are related to you neighbors. Then the next stage would be the stories, the cultural part of the story: this is the kind of world our ancestors made or aspired to.
I would say I'm a storyteller first, but game making is very wrapped up in how I think of story. If I were to have a story idea, and I decided to write a novel with it instead, I'd have to very consciously de-couple it from gamedom - for example, deliberately add in things that could not be represented in a game scene.
I was 17 the first time I set foot in a classroom, but 10 years later, I would graduate from Cambridge with a Ph.D. 'Educated' is the story of how I came by my education. It is also the story of how I lost my family.
If children are given some real content, they can feel powerful with their own understanding of it. I think a movie like 'Indian in the Cupboard' will instruct them how to proceed as people. They can think about whether they would have done something the way a character did, how they would have felt about an event in the story.
There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too.
Literature is an aspect of story and story is all that exists to make sense of reality. War is a story. Now you begin to see how powerful story is because it informs our worldview and our every action, our every justification is a story. So how can story not be truly transformative? I've seen it happen in real ways, not in sentimental ways or in the jargon of New Age liberal ideology.
I would not want to forget the first time I read The Lord of the Rings. I would never want to forget that! That was so magical to me, and that was a real eye-opening experience. I was probably 11 when I read that and already a reader, but I think that book really showed me how you can be transported and how your imagination can take you to a whole other place.
My hope is that when people read my story, it will inspire them to reach for their goals and not give up. The real story is this: if I can do it, you can too.
All I can guess is that when I write, I forget that it's not real. I'm living the story, and I think people can read that sincerity about the characters. They are real to me while I'm writing them, and I think that makes them real to the readers as well.
Those early Cyborg comics were very politically charged, and he was very aware of being a black superhero.
...we do not simply get showered with Hollywood money because we happened to write a little story about wizards one day. It's not winning the lottery. It's a real job, which real people do, and they have the same real problems as other real people.
That's a very real feeling - that I don't have a story to tell. I'm not a pure storyteller. I have a tough time with story.
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